Tag Archives: thick

Yosemite Valley Forest

Yosemite Valley Forest
A Yosemite Valley forest of conifers and spring dogwood trees.

Yosemite Valley Forest. © Copyright 2023 G Dan Mitchell.

A Yosemite Valley forest of conifers and spring dogwood trees.

In an earlier post I described my “typical day” on one of my long, one-day visits to the Sierra. (I don’t recommend this approach, and I’d rather have had time to stay longer — but it was a choice between a quick visit and no visit.) I mentioned that, unsurprisingly, the early morning and evening hours are the most conducive to photography. But if I keep at it during the midday hours I can usually find some things that are worth the effort.

I made this photograph on a midday ramble. The goal was partly to scout potential subjects for later in the day, partly to enjoy a walk, and partly to make a few photographs if anything turned up. I stopped on a bridge over the snowmelt-swollen Merced River and as I contemplated the scene I thought this little bit of Yosemite Valley forest looked interesting with its tall conifers, open light, and scattered blooming dogwood trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Late Winter Flocks

Late Winter Flocks
Huge numbers of sandhill cranes and several varieties of migratory geese in late winter.

Late Winter Flocks. © Copyright 2023 G Dan Mitchell.

Huge numbers of sandhill cranes and several varieties of migratory geese in late winter.

Yes, another “sky full of birds” photograph! It may seem that I”m sharing a lot of them… but it is not anywhere near all of them. And that, of course, brings up one of the great “secrets” of photographing birds: for every good image that “works” there are dozens of others that never see the light of day. Landscapes don’t move (much), so they are more predictable. But most of the time birds are in motion — at least when they are doing interesting things — and it is impossible to control or predict everything that will happen. You can improve your odds over time… but there is still an element of chance..

These fields were full of late season birds — mostly various kinds of geese, but also lots of sandhill cranes and even a few egrets here and there. At this time of year — just before the long migration back to the north — they seem to become extremely active. At the least provocation huge numbers of birds will suddenly and noisily take to the air and circle before finally returning to the field for a while… and then repeating the process a bit later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

White Pelicans, Tule Fog

White Pelicans, Tule Fog
A flock of white pelicans swims acroiss a webland pond blanketed by morning tule fog.

White Pelicans, Tule Fog. © Copyright 2022 G Dan Mitchell.

A flock of white pelicans swims acroiss a webland pond blanketed by morning tule fog.

When I began photographing before dawn on this late-autumn morning, the fog was extremely thick. I could hear birds all around me, but I was barely able to see them and photographing them was initially out of the question. Gradually the fog began to drift a bit, and it thinned a bit in the light from the sun rising above the fog. Before long birds began to become visible, though I was still working at the borderline of sufficient light. It was at about this point that I caught sight of this line of white pelicans swimming slowly across a pond.

Every time I encounter these birds I think back to the first time I saw them. I had seen and photographed the coastal brown pelicans for years, but somehow I did not realize that white pelicans were in California! On a morning like this one I photographed some white birds that were barely visible in the fog… and misidentified them as geese or similar. Later, looking closely at the photographs, it hit me that these were very strange-looking geese, indeed! It was only at that point that I even realized that there were white pelicans here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetlands Tree, Tule Fog

Wetlands Tree, Tule Fog
A wetlands tree in thick autumn tule fog.

Wetlands Tree, Tule Fog. © Copyright 2022 G Dan Mitchell.

A wetlands tree in thick autumn tule fog.

Believe it or not, this is a color photograph, made on a late-autumn morning in California’s Great Central Valley. The dense tule fog did not simply reduce visibility — it also drained the color right out of the landscape. Foggy landscapes can have color — the blue tones of thick fog in the very early hours, and the warmer tones of shallow fog glowing in sunrise light. But in this case it was a bit later, and the colors of the earliest light had faded and backlit fog glowed and muted the color.

When photographing a subject like this I find myself on a fine line between not enough fog and not enough detail. Sometimes the fog is so thick that a subject that seems visible in person has so little contrast that it almost is invisible in a photograph. But too much definition and the mystery of the fog diminishes. Here I think I have hit the middle ground — there’s perhaps just enough detail to delineate the broad features, but many fine details are missing or softened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.