Tag Archives: thin

Photographs: Central California, Photographs: Nature

Spring Flowers, Mountains, And Clearing Fog

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Spring Flowers, Mountains, And Clearing Fog
Morning fog dissipates above wildflower-covered California hills.

Spring Flowers, Mountains, And Clearing Fog. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog dissipates above wildflower-covered California hills.

On this Easter Sunday morning, here in the San Francisco Bay Area it is gray and gloomy, with drizzle falling. I have just returned from my morning “socially-distance” walk around the neighborhood, and few people are to be seen. Normally I like weather like this, but today it reminded me how much life has changed in the past month, and that it will likely not return to the old normal for quite a while. Returning home, I decided to engage in a bit more “virtual spring” escapism and share this photograph.

At about this time a year ago I was out and about. I spent some time in this area on my way to Death Valley, and I made a second, shorter trip, too. On this morning I took a drive down a wide flower-filled valley between hills as morning fog cleared, stopping whenever and wherever I felt like it, enjoying the sun’s warmth, and making photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Bluffs, Clearing Fog

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Coastal Bluffs, Clearing Fog
A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

Coastal Bluffs, Clearing Fog. © Copyright 2018 G Dan Mitchell – all rights reserved.

A coastal inversion layer is visible as fog thins above the rugged Big Sur coastline

The quality of the Big Sur coast is, I think, the sum of a lot of contributing factors. As you drive south (my usual direction of approach, as a San Francisco Bay Area resident), the expanse of the Pacific Ocean extends to your right, and it may be brilliantly lit, completely fogged in, full of storm clouds, or just plain blue. Because the route alternately drops to the water level and climbs up above the headlands, this view expands and contracts. Surprisingly, it can be quite warm here, especially when the fog clears on a summer day and the road climbs. Views may be intimate as you pass through forested sections and around tight turns, or they may stretch to the horizon and far to the north and south.

On this mid-summer visit remnants of fog were still dissipating as I passed through. In places it sat thickly on hilltops, while elsewhere it had cleared and the light was brilliantly bright. This view appeared as I began my descent from one of the high places, and the top of the coastal inversion was clearly visible.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Utah

Utah Aspen Grove, Fall

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Utah Aspen Grove, Fall
A thin stand of autumn aspen trees, Dixie National Forest

Utah Aspen Grove, Fall. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A thin stand of autumn aspen trees, Dixie National Forest

This is another photograph of those beautiful, tall, nearly straight aspen trees — a growth pattern that I don’t see so often here in the California Sierra Nevada, but which is very common in Utah. These trees are probably near the end of their autumn color phase, even though I made the photograph near the beginning of October. It seems that the fall color comes a bit sooner here! (At higher elevations, almost all of the aspen color was already gone by the end of the first week of October.)

The photograph suggests several thoughts to me. First, that photographing aspens during so-called peak color is not the only option. The trees actually pass through a transition that can be photographed at almost any point, from the first hints of color, through the peak, and right on through to the time when few leaves are left. In fact, it may be possible to work the light a bit more later on. Second, while the early and late light is often best, it is possible to photograph this and other subjects during the main part of the day. I made this photograph in the afternoon as some high clouds passed overhead and softened the light. Finally, Utah’s public wild lands are under threat today, including from some misguided Utah legislators who seem to think that the profits of a small group of extraction industry corporations are more important than ensuring the protection of these features — to the extent that they are calling for reducing the area of existing national lands and the take-back of others. One group that works to protect such places is the Southern Utah Wilderness Alliance. Consider supporting their work.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Tree, Wetlands, Morning Fog

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Tree, Wetlands, Morning Fog
Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

Merry Christmas 2015!

Tree, Wetlands, Morning Fog. San Joaquin Valley, California. December 17, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Thin dawn fog floats around the base of a solitary autumn tree in San Joaquin Valley wetlands

This landscape is ostensibly about the migratory birds at this time of year, from late fall through the winter months. These ponds, which are just fields during the hot Central Valley summer, typically fill with shallow water and become the winter home for uncounted numbers of geese, sandhill cranes, ibises, and more. It was, in fact, the birds that first brought me out here in the winter, and they still call me back every year.

But there is much more to this landscape than photographs of birds. In fact, my strongest sensory associations with the place are not about the visual appearance of the wildlife for the most part, but are instead about a host of other things. And this simple photograph, for me at least, evokes the sensory recall of those other elements. To a person who may not have been here at this time of year, many things familiar to me cannot be contained in the photograph. The sound of the birds, continuous and often raucous, is central — and it is the thing that most immediately gets my attention when I visit. The fog is a big part of the experience — not just its ability to mute the details of the landscape, but also the sensations of cold and damp and what it does to the quality of light, especially at dawn. In addition, this is one of those California places allow me to extend the color season for three months or more. It begins in September in highest reaches of the Sierra, works its way down (as aspens change) to the high desert (with cottonwoods), then the Sierra foothills, then to the coastal hills, and finally to the lowlands where, as in this photograph, “fall” color remains until nearly the new year.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.