Since the photograph is minimalist I will make the commentary minimal as well. I made the photograph outside the San Francisco Museum of Modern Art (SFMOMA) at the end of a recent visit. This was a photograph of opportunity, made handheld as I left the museum and saw this simple conjunction of planes and varied light and textures.
Three people in an art gallery with a freight elevator door
I suppose that if you are camera-shy and you see me in a museum that you may want to run for cover. (Or just wait for me to become interested in the exhibits — I’m notorious for taking forever to work my way though museums. Family members have been known to just give up and go find a restaurant to wait for me to finally finish!) In any case, I like to photograph in museums, for the interesting architectural details and light and for the opportunity to watch people doing interesting things and assembling themselves into various compositions.
We were at the San Francisco Museum of Modern Art (SFMoMA) where we had seen a lot of very interesting stuff. (My favorite was the installation on the top floor by William Kentridge, “The Refusal of Time. I walked into it prepared to be unimpressed, but ended up being very moved by it.) Along the edge of a gallery on a lower floor there was a giant freight elevator door taking up almost all of one wall. One thing about museums is that almost anything seen in such a place has the potential to take on meanings beyond the ordinary, and for some reason this door caught my attention. I did as I often do with such subjects — I waited for people to populate this “intimate urban landscape” so that I could make a few photographs.
Three snow geese in flight over San Joaquin Valley wetlands
There are many ways to photograph geese in these California Central Valley locations, where they spend the winter months after migrating down from points far to the north. Great flocks of them settle in on ponds in these areas, or sometimes gather in fields. At other times giant flocks fill the sky, especially when something spooks them and thousands will take to the air at once, producing a sound that is the combination of their excited cries and the rush of wind from their wings. Large groups of them come and go throughout the day. Occasionally smaller groups, like this trio, arrive and circle before finding a spot to land and join the flock.
I confess that part of the fun with these groups comes from the challenge of trying to track and photograph them as they move so quickly. With practice one can find a few hints about their trajectory — they will circle a few times and they always land facing into the breeze — but they move fast, the light on their feathers changes, and they spend most of their time facing in the wrong direction! I saw this group coming in from a good distance away, and I tracked them as they approached a spot to my right, banked into a turn, and passed in front of me as they crossed to my left, circled away, and then returned to face the wind and land.
Three lesser sandhill cranes fly against blue sky above the San Joaquin Valley
These beautiful sandhill cranes are found up and down California’s Central Valley and beyond. Many things characterize the winter “bird-scape” in the state, but high on my list is the sound of these birds, whether directly overhead or somewhere off in the fog, invisible but often present in large numbers. They are not as numerous as the geese, but at times their numbers can become quite astounding, especially when they find a good place to feed. I think that they can be a bit awkward looking on the ground, but in flight they are transformed. Their flying pattern features slower wing motion, periods of gliding, a flat trajectory, and often wingtip-to-tail relationships with other cranes.
They aren’t always easy to photograph, though if you come (quietly!) upon a group on the ground and they don’t fly away you can often get good photographs, and you may even see the “dancing cranes” behavior. Photographing them in flight can be just a bit tricky. They seem uneasy about flying directly over humans, and birds that appear headed for your position will often divert at the last moment. Fortunately, they can be very attractive viewed from the side — perhaps more so that a straight-on view or photographed from underneath. These three were part of a larger group that was flying at low elevation between two areas of pasture-land.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
