Tag Archives: tile

Buildings, Porto

Buildings, Porto
Distressed buildings in Porto, Portugal.

Buildings, Porto. © Copyright 2023 G Dan Mitchell.

Distressed buildings in Porto, Portugal.

Based on our three-day visit, Porto is a fascinating city. I’m no expert on Portugal, but it is my understanding that the country was one of the least wealthy in Europe and that it was sort of neglected — but more recently it has become quite a popular destination. The attractions are many: fascinating food, sunny shoreline, port (!), general friendliness to English-speakers. We spent time here in Porto and then in Lisbon, and they have so far been among our favorite destinations on this trip.

While Porto has plenty of modern, sophisticated stuff… it is also still full of old, run-down-looking neighborhoods with buildings suggesting better days in the past. (And, from what I hear, now there is a lot of redevelopment of these older areas, which brings its own controversies.) The building in this photograph must have once been quite nice, but today it looks like its best days are behind it — yet, look at that characteristic tile work and more and this building seems like it could be part of the Porto revitalization.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Black Star, Tiles and People

Black Star, Tiles and People
People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

Black Star, Tiles and People. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

On our December 2015 visit to New York City we had a chance to visit the new Whitney Museum for the first time. We see the early construction phases on several earlier visits when we went to Chelsea and were pleased to find that it is now open. We went there one morning, began on the top floor, and started to work our way down. (I’m a bit notorious for being able to spend what some regard as far too many hours wandering slowly through museums. Eventually the others in my party left. I stayed and finally joined up with them again hours later.)

The museum’s collection is, of course, fascinating. But the building itself also fascinated me — as a structure it its own right, its placement in its Manhattan surroundings, how it is used to display art, its outdoor areas, and the opportunities it gave me to include people in photographs. I did virtually no photography inside the building, but on the outdoor terraces and walkways it was an entirely different situation. These areas were perhaps the most attractive parts of the architecture for me, with upper levels thrusting out over the Chelsea landscape, and lower levels spreading out horizontally. From below it created a sort of industrial landscape of metal angles, and from above the views downwards were quite something. This photograph looks over one of the upper balconies and straight down onto a tile-covered terrace where Frank Stella’s “Black Star” resides and was being photographed and contemplated by visitors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Video Surveillance

Video Surveillance
Warning sign on a doorway to an interior space, Chinatown, San Francisco

Video Surveillance. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Warning sign on a doorway to an interior space, Chinatown, San Francisco

When doing street photography I tend to “switch modes” as I photograph — one moment I might focus on people as individuals or in groups, and then my attention may shift to the “urban landscape,” the shapes and angles of the buildings and roads and sidewalks and more. At night there is always one more element, the unusual effects of artificial light on the scene. The light can be wildly diverse: Greenish from fluorescent lamps, yellow from sodium vapor, warm and saturated from tungsten, almost like daylight though perhaps cooler from LEDs, and occasionally the colors of dusk or the moon.

LED lighting, while wonderfully efficient, is not so wonderful for night photography. Since it mirrors the color balance of daylight so closely it takes away all of those color shadings. Some times it almost makes a night photograph look like day! I made this photograph shortly after I met up with a group of other photographers to walk through this section of San Francisco. At first I was focused in small things — windows, doorways, colorful business signs. As we descended one side street we passed this somewhat nondescript building, but in the nighttime light the interior glowed with an oddly colored light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Roofs of Heidelberg

Roofs of Heidelberg
Roofs of Heidelberg

Roofs of Heidelberg. Heidelberg, Germany. July 12, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

As seen from the tower of the Heiliggeistkirche, the rooftops of the Heidelberg Altstadt extend into the distance

Heidelberg is a city with a very long history, and a lot of this history seems to be maintained in the altstadt or “old town” section of the city, where most buildings are quite old and some date back many centuries, where streets are pre-automobile narrow, and where you can find a combination of small shops, old churches, university buildings, places to eat, and – of course – tourist attractions.

I made this photograph from the tower of the Holy Ghost Church (Heiliggeistkirche), a structure that dominates the view of the old town area and which is located across the street from the historic Ritter Hotel. The interior of the church is also impressive, and I’ll have some photographs of that a bit later. We paid the 1 euro donation to climb the many twisting steps to the walkway far up the church’s tower, from which a spectacular 360 degree view of the city, the Neckar River, and the surrounding hills is seen. I spent quite a long time up there, watching for good moments in the soft light, and making photographs of the city from this high vantage point. This view looks across the altstadt along the path of the Neckar as is leaves this valley and heads towards the valley of the Rhein.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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