Tag Archives: tiny

Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Piaggio Ape, Wall, Alley

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Piaggio Ape, Wall, Alley
“Piaggio Ape, Wall, Alley” — A Piaggio Ape utility vehicle parked against a wall in an alley, Orvieto.

We spent several days in the hill town of Orvieto, Italy last summer. We understand that many visitors arrive on day trips from Rome, but we were ready for a few days in a smaller, quieter place after visiting bigger cities like Milan and Florence. One of the fun things about staying overnight in the “day trip” cities is that they become much quieter in the evening and early morning after most visitors depart! We were out on a random walk, exploring the fringes of the town, when I saw this scene.

Working on the photograph sent me off into a world I did not know about. I had seen these little three-wheeled utility vehicles elsewhere in Italy — they are very practical on these narrow streets — but I didn’t know what to call them. A quick search turned up the name “Piaggio Ape,” where “Ape” refers to “bee.” Further reading led to the history of the things. As I understand it they essentially began as Vespa scooters with three wheels, and were then adapted into small trucks and vans.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: People, Photographs: Southern California

Photographer, Sand Dunes, Evening

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Photographer, Transverse Dunes, Evening - A lone photographer at work among sand dunes, Death Valley National Park, California.
A lone photographer at work among sand dunes, Death Valley National Park, California.

Photographer, Sand Dunes, Evening. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A lone photographer at work among sand dunes, Death Valley National Park, California.

This is a sort of “Where’s Waldo?” photograph – and, yes, there really is a photographer in this scene. There is not much to give you an accurate sense of the scale of the components of this scene, and there are even a few details that might throw you off. Hint: That bush near the upper left is a lot larger than you might imagine. If you look closely, I’m pretty certain that you can spot the photographer, but I won’t spoil the fun by telling you where to look.

These dunes extend over a large areas in Death Valley National Park, and I’ve come to find some of the smaller dunes of the park to present interesting relief among the closely spaced ripples and waves of sand, and late-day color variations that only get better after sunset. To make this photograph I used a long lens and found a vantage point that was elevated above the sand.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Commentary, Ideas

Things that sometimes baffle me about photographers and photography

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This is by no means a complete list, but inspired by seeing one of these oddities in a post earlier today I thought I’d write it up.

  • “Unboxing videos” of new cameras. Why would someone make a 5 or 10 minute video of the act of opening the box that their new camera came in and then lovingly taking out… the manual, the USB cables, the styrofoam inserts, the warranty card, and on and on and on – often with narration and sometimes even background music. Do people actually watch these?
  • Spending thousands and thousands of dollars on “the best” camera, lens, etc. when one isn’t really a photographer and doesn’t really make photographs all that much and perhaps only shares the odd jpg or letter size print with friends and family.
  • Getting caught up in the “brand wars” between manufacturers like Nikon and Canon. They both make really, really fine equipment. Both are used by a lot of excellent photographers. Really wonderful photographs are produced using both systems every day.
  • Assuming that there is only one best “whatever” in photography. There is no such thing as “The Best… camera, lens, tripod, photographer, memory card, place to shoot, time of day to shoot, filter, brand, store, paper…” First, there are many good versions of each. Second, what is best for one person may not be best for another.
  • Obsessing over very tiny and insignificant equipment “flaws” or differences. The classic is, of course, choosing a less functional lens over a more functional lens because the less functional lens might measure .001% better resolution at 100% magnification on the test bench. Related are obsessions over very tiny differences in noise in digital cameras, concern about small difference in camera burst rate, worry that your lens might vignette some…
  • Thinking that you have to “take a position” on zooms versus primes. (Zooms and primes are both great, and you have my permission to use both… ;-)
  • Secret shooting locations – unless the area is fragile and too much use would damage it, if ten good photographers shoot it you’ll get ten different interpretations.

Anyone else?