
This is probably a fairly conventional image of Mare Island buildings in some ways, and it includes the ever popular star trails! One aspect of doing night photography – especially when exposures are measured in minutes rather than seconds or fractions of seconds, and double-especially when you must wait for a second dark-frame exposure to complete – is that you have a lot of time to stand around and observe and think about what you see. A whole lot of time. Before I made this photograph, I had made one of a nearby wall with some interesting windows and a door and illuminated by some light that passed through some intervening stuff, producing interesting shadows. The alley where I was shooting was quite dark, necessitating fairly long exposures, so as I made that previous photograph I had perhaps 10-15 minutes of “standing around time,” during which I was able to closely observe my surroundings.
Lately one subject that I’ve been experimenting with is the upper stories of buildings, shot from below and with sky beyond. Near where I was shooting and next to a nearby alley was this large concrete building with dark windows, with its pointed prow against a backdrop of relatively dark sky. I noticed that this section of sky held more bright stars that some other areas and that if I lined things up just right I could position some to either side of the point at the corner of the building.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email



