Tag Archives: travel

Textures and Reflections

Textures and Reflections
Textures and Reflections

Textures and Reflections. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Detail of a Chicago riverfront building with distorted window reflections

As is the case with a number of the Chicago photographs that I made during our August 2014 visit to the Windy City, this one was made from a boat on the Chicago River. We rarely do “tourist things” when we visit cities, usually preferring to look for more interesting stuff, but everyone we know who had been there recommended the Chicago architecture boat tours, so we gave in and took one. I have to say that it was worth it — the tour combines an intense overview of a lot of downtown Chicago architecture, a lot of background information on the structures and the development of the city, and a unique view that isn’t really available in any other way.

There is almost too much to see on the tour, since Chicago’s downtown is dense with interesting features large and small, and the boats don’t pause to let you gawk! So I photographed a lot, trying to vary my focus between the large and impressive downtown buildings and smaller details down closer to the river. This photograph falls into that second category, and is “about” the shapes and textures of the bit of a more modern building and the very deformed reflections in its windows.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Chicago Waterfront

Chicago Waterfront
Chicago Waterfront

Chicago Waterfront. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Yachts tied up along the Chicago waterfront near the mouth of the Chicago River

This photograph was made from one of the Chicago architecture tour boats as it paused in the small bay near the mouth of the Chicago river before turning and heading back into the river. This location momentarily provided a bit of distance between my position and the buildings and gave me a clearer shot of the group of them, and the low position on the water emphasize the height of the buildings.

If you like the combination of very new and slightly old architecture found in Chicago — and I do — a view like this one seems to perfectly capture the ideal image of the lake front of this city. Producing a form that reminds me of ascending mountain peaks, each building is part of a progression that culminates in the tallest building whose mass is mostly hidden by those in front.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Blue Building, Bridge

Blue Building, Bridge
Blue Building, Bridge

Blue Building, Bridge. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Chicago bridge against the background of a modern blue building

When I began to go through my photographs from this August 2014 Chicago visit, I was surprised at home many of the downtown architecture photographs — at least those that didn’t focus on the older stone facade buildings — featured the color blue. It seems to be found everywhere. In many cases it is just a matter of the building actually being constructed of blue materials, but I think that Chicago’s relative openness to the sky may emphasize the effect even more.

One of the river bridges makes an abbreviate appearance near the bottom of the frame, with its bridge tending house poking up above the deck of the bridge. Beyond is a fairly typical — to me, at least — wall of modern Chicago buildings, towering above the streets and once again featuring that blue color.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Backcountry Photography, Two Ways (Morning Musings 9/24/14)

Peak and Tarn, Sunrise
Peak and Tarn, Sunrise *

The subject of selecting (and carrying!) photographic equipment for backpacking trips came up in a recent conversation. There’s a lot I could say about this, since I’ve backpacked for decades and often prefer to do certain kinds of landscape photography while traveling on foot, mostly in the Sierra. Actually, I not only could say a lot about this — I have! An extensive article at this website goes over a lot of important things related to combining backpacking and serious landscape photography: My Backpacking Photography Kit. Take a look at the article if you want a lot of details.

The main issues involve how to incorporate the weight/bulk of serious camera equipment into a load that also includes your food and shelter and much more, how to best make use of the photography equipment in the backcountry, how to approach the process of photographing “out there,” which equipment to use, and a few other things. Basically, unless you are young and very fit and willing to accept a great deal of pain from a huge load… you are likely to have to make some compromises and adjustments in both the backpacking equipment and the photographic equipment you carry. The good news is that the compromises are quite doable, and that you can still make fine photographs in areas that you probably can’t get to in any other way.

A related question had to do with a different way to get into the back county that I’ve used during the past two seasons, namely support by pack animals. Left to my own devices, I probably would not have tried this — at least not for a few more years! However, I’ve recently had the wonderful opportunity to join some other photographers who have been traveling into (mostly) the Yosemite backcountry for nearly 15 years every summer to make beautiful photographs. (See a video about them here and take a look at their beautiful book: “First Light: Five Photographers Explore Yosemite’s Wilderness.”) When they started, large format and medium format film cameras were the norm for this sort of serious work, more or less necessitating pack train support if they were to stay out for any length of time — and they often went out for a week or two at a time.

Last year was my first time being part of a pack train supported backcountry trip, and I initially felt almost a bit guilty about it — as a person who has enjoyed walking all over the Sierra backcountry for decades. Continue reading Backcountry Photography, Two Ways (Morning Musings 9/24/14)