Tag Archives: trees

Meadow, Mountains, Morning Mist

Meadow, Mountains, Morning Mist
“Meadow, Mountains, Morning Mist” — Morning mist rises from a subalpine meadow with trees in the foreground and peaks in the distance.

For a few days in early July I had this usually-crowded Yosemite location almost to myself. The nearby high-country campground was not yet open, and entry-restrictions to the park reduced the number of visitors. I camped just outside the park’s boundaries, and I entered in the mornings before sunrise — there was no line and I could get to my destinations quickly. On a couple of mornings the sunrise destination was this great subalpine meadow.

The meadow runs from east to west, so sunrise and sunset tend to send light down its length. I positioned myself near the west end on this morning, which meant that I was shooting nearly directly into that morning light. Here I placed a group of trees along the right side of the frame, to contrast the dark forms of their trunks and shadows with the lighter distant mountains, details muted by backlit haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Pond, Forest, and Fog

Pond, Forest, and Fog
“Pond, Forest, and Fog” — Fog rising from a subalpine pond drifts through pine forest, Yosemite.

This is one of several photographs I made in this area on the morning after a significant storm moved through the Yosemite high country. It rained for hours and made photography virtually impossible. But it also primed conditions for beautiful morning fog the next day, so I was up very early and out looking for it before sunrise.

Before long I passed a small lake that I’ve known about for decades but rarely photographed. This time the scene was sublime — fog was rising from the surface of the little lake and slowly drifting into the forest. The early morning light (from the now-clear sky) illuminated the scene, but there was no direct sun to overwhelm it. I began photographing, walking slowly along the shoreline and into the forest, eventually tearing myself away in order to seek out some other subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Trees in Morning Light, Granite Dome

Trees in Morning Light, Granite Dome
“Trees in Morning Light, Granite Dome” — Trees grow on a bit of talus at the base of a Yosemite dome.

Scenes like this are a big part of what characterizes Yosemite, especially the park’s high country: trees growing on granite, domes, forests, and that “range of light” atmosphere. The features are so common that it is possible for a longtime visitor to almost take them for granted.

I have paused at this spot on virtually every visit to the Yosemite high country for decades. The dome rising to the left in the photograph was my original interest — it is a beautiful dome in an especially aesthetic location. But later on the trees became an equal attraction — easy to overlook among millions of other trees, but once you see them you don’t forget.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Shoreline Forest

Shoreline Forest
“Shoreline Forest” — Trees grow along the shoreline of a Yosemite high country lake.

When I plan to spend a morning photographing in an area like this in Yosemite, I figure I have perhaps 3-4 hours of interesting light for morning photography. I typically start with a subject that works well in predawn light, move to one that focuses on the actual sunrise, then move around to find other subjects when their best morning light arrives. A subject like this one typically comes later and is often the final one of the morning.

I made the photograph in full sunlight, though it was slightly muted by some thin haze. I was interested in the interplay between the shapes of the trees and their shadows. In order to create this composition I had to photograph essentially directly into the morning sun light, though I positioned myself so that the shadow of one of the trees blocked the direct light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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