Tag Archives: trunk

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Tree, Boulders, and Shoreline

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Tree, Boulders, and Shoreline
An old, gnarled tree grows among shoreline boulders, Yosemite National Park.

Tree, Boulders, and Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old, gnarled tree grows among shoreline boulders, Yosemite National Park.

This photograph comes from a short trip to a popular Yosemite National Park backcountry lake more than a decade ago. It was the very beginning of autumn, and I managed to squeeze in a short escape between back-to-college meetings and the start of a new academic term. A group of fellow photographers was beginning a back-country stay of a bit more than a week, so I decided to join them for the first few days. (It turned out that my need to leave early was perhaps fortuitous — they reported to me that a few days after my departure an early season snow storm came in and dropped temperatures as low as five degrees!)

Autumn is the quiet season in the Sierra, or at least it was a decade ago. The summer crowds begin to thin after Labor Day, and by the end of September and the first half of October the backcountry seems almost deserted. It is a time to sit quietly and take in the scene before the winter snow arrives.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Snag, Red Rock

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Snag, Red Rock
An old snag stands in front of a freactured red rock cliff.

Snag, Red Rock. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old snag stands in front of a fractured red rock cliff.

Let me repeat a slightly embarrassing story that I’ve told before. For many years I did not bother to photograph in the Southwest. There are several facets to the explanation. I was something of a Sierra “bigot” — I loved that landscape so much that I could hardly understand why I would want to look elsewhere. In addition, when I was very young and my family drove between our California home and the Midwestern states where my relatives lived, I thought that our route through Utah was boring.

So it was only in the last decade or so that I finally “discovered” Utah’s beautiful red rock landscapes. My first visit was on a spring trip that took us to Zion, then across the state through Bryce and Capitol Reef (perhaps the most under-appreciated of these parks) and then to Moab where we visited Arches and Canyonlands. Since that time I have returned at other times of the year and pushed my explorations out beyond the boundaries of the parks, but this photograph comes from that first visit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Tree Trunks, Tyndall Creek

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Tree Trunks, Tyndall Creek
The trunks and branchs of a group of closely spaced trees high in the Sierra Nevada backcountry

Tree Trunks, Tyndall Creek. © Copyright 2019 G Dan Mitchell – all rights reserved.

The trunks and branchs of a group of closely spaced trees high in the Sierra Nevada backcountry.

A simple photograph of some tree trunks, of a sort you could perhaps find in locations all over the higher portions of the Sierra Nevada, can evoke a surprising number of memories and associations. While I might walk past such a thing and not take much notice, I have often spent time in the company of such trees — pausing for lunch on the trail, living among them in a high country campsite.

Some of these memories are general, which is not a surprise given that such trees are everywhere. In that light, I’ve often contemplated how such trees seem to occupy a middle ground between the relatively short lives of creatures like ourselves and the “deep time” of rocks. The trees live hundreds of years, and as they adapt to their rooted locations they can sometimes seem to have more in common with the rocks than with us. Other associations are quite specific — and this photograph takes me back to a specific location along the JMT, a place I’ve camped a number of times, and to the people I was traveling with and those we encountered on a couple of specific days.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove, White Trunks

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Aspen Grove, White Trunks
A dense stand of small, nearly leafless aspen trees with white trunks

Aspen Grove, White Trunks. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense stand of small, nearly leafless aspen trees with white trunks

This little grove of aspens and I have a long acquaintance. The grove isn’t anything that you would probably notice, even if you found it and pass right by. It is much like many thousands of other aspen groves in the Sierra Nevada… and many thousands more across the western US. But it is one of “my” groves, and I stop there pretty much every year at some point.

The trees in this spot are not terribly large, in fact they might seem larger in the photograph than they actually are. The grove is very close and dense, and if I step inside and try to walk around I have to duck and squeeze between trees. I usually prefer to photograph it up close, using a wide-angle lens, and from just beyond its edge, where the brighter light falls on the trunks. Ideally, as on this day, a bit of overcast reduces contrast a bit and fills in the shadows. it is always a challenge, though usually a pleasant one, to try to find workable compositions in the dense complexity of these groves. It often initially looks like the process should be obvious and easy, but once I start framing things up I invariably discover little “deal-breakers” in the composition — a dark branch, a distracting background, an unfortunate juxtaposition of branches. But eventually, with patience and persistence, things can fall together.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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