Tag Archives: trunks

Forest, After Snow

Forest, After Snow
Densely intertwining forest trees after a Yosemite Valley snow storm

Forest, After Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Densely intertwining forest trees after a Yosemite Valley snow storm

My previous day in Yosemite Valley had drawn to a close as snow showers dropped a few inches of snow. A blustery and cold little weather front had arrived, bringing showers — the sort of weather than gives you a few minutes of impressive snowfall, followed moments later by the light breaking through. On my way out of the Valley — I was staying up at Wawona — I had stopped to photograph it before starting that snowy drive back to my cabin.

I suspected that the weather would clear the next morning and that bright light and new-fallen snow could turn out to be my subject. My first thought had been to head for Tunnel View, not usually my first choice for Yosemite Valley photography at this point, but potentially very beautiful in these conditions. But when I arrived there the completely clear skies produced a rather mundane sort of scene, at least by comparison to what I had hoped for. (I know… that view is never actually “mundane,” but I’m more likely to photograph it when something really special happens these days.) But further down in the Valley I passed an area of skeletal trees, mostly without leaves or needles, that still held snow and was back-lit. The location was about as non-iconic as you can find in the Valley, but I stopped and wandered off into this forest scene to photograph the patters of branches, trunks, and snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cliff Face and Bare Aspen Trees

Cliff Face and Bare Aspen Trees
Bare aspen tree trunks and branches against a backdrop of a Sierra Nevada rock face

Cliff Face and Bare Aspen Trees. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Bare aspen tree trunks and branches against a backdrop of a Sierra Nevada rock face

There are all kinds of ways to photograph aspens, and they can be photographed during virtually any season: winter trees with snow, spring trees with new leaves, summer trees surrounded by wildflowers and grasses, autumn colors, and this wonderful time when the bare trees stand out against the rest of the surrounding terrain. At this latter stage they can be photogenic on their own or they can be set off against backdrops of other trees, rocks, or the fallen leaves littering the ground.

These specific trees have gotten my attention in the past. They grow against a fractured granite backdrop, and they are in a location where I might go to photograph other fall subjects. So when I go to photograph those subjects, I often end up walking past this spot and pausing. While nearby trees still had a lot of colorful leaves, these smaller trees had already dropped almost all of theirs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Within The Aspen Grove

Within The Aspen Grove
An eastern Sierra Nevada grove of small aspen trees with fall color

Within The Aspen Grove. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada grove of small aspen trees with fall color

This little grove is a sort of special place for me. I have photographed there quite a few times in the past, and on one or two occasions with a great deal of success. If I described its location, even those who would then recognize the spot might be surprised to hear that I think of it as being special — it is in a location that we generally drive right past on our way to other better known locations. Often when I walk into this grove I find myself at a loss for photographs — the light can be tricky, and it isn’t always easy to find a composition there. But it was one of the locations where I learned that the big, iconic locations are far from the only ones other photographing, and that it can be far more rewarding — photographically and personally — to slow down and start paying attention to the rest of the landscape!

In fact, on this morning I was, once again, on my way from one other place to a different location further away when I drove past. We almost didn’t stop, but there was something about the light and the grove that persuaded me to get out and look around. I wandered (quite literally) into the grove and at first I didn’t really see anything. I almost walked back out to go look elsewhere. But then I stopped myself and thought about slowing down and simply looking around to see what the grove had to offer. I decided that the density of the trees might make a very wide-angle lens useful, and once I started to “see” that way the potential become clearer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Grove in Shade

Aspen Grove in Shade
A hillside grove of autumn aspens in early morning shadows

Aspen Grove in Shade. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A hillside grove of autumn aspens in early morning shadows

I think there may be at least a couple of things worth discussing about this photograph — both from a slightly technical point of view and from an “opportunity” perspective, as in what photographic opportunities might be available in this part of the Sierra when focusing on the subject of autumn aspen trees. The technical issue (though it really turns out to be an aesthetic issue in the end) is one that I’ve discussed before, namely the kinds of light in which one can photograph aspen and other fall color. This photograph was made in fairly deep shade, and the trees stand on a slope of a tall mountain that blocks the morning sun until several hours after sunrise. I went here largely because of that — and the beautiful trees! — because I wanted to photograph in this soft light. Photographing these trees in shade reduces the huge contrast in light levels between highlights and shadows that we must deal with when the trees are lit directly by the sun. The intensity of the colors can increase and the light fills in the shadows, revealing details that disappear in harsh midday light. (One challenge is handling the blue quality of light that comes from the open sky, but that is perhaps a topic for another post.)

The second observation has to do with the types of aspen trees found in the Sierra. People who have seen the huge groves to straight and tall aspens in places like Colorado and Utah often remark on the many small and twisted aspens in the eastern Sierra. They are right to do so — many of “our” aspens are shorter, the groves frequently (though not always) are limited in their extent, and the tall and straight trees are less common. However, that is part of what I like about the Sierra aspens — the variety of “aspen personalities” is remarkable, ranging from brilliantly colorful but very small scrub aspens to some examples of tall and straight trees with thick trunks. This photograph combines the two. The presence of the smaller foreground trees provides color in front of the revealed trunks of this grove of tall and straight trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.