Tag Archives: twenty

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Desert Valley

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Badlands, Desert Valley
The view across eroded badlands hill and up a broad wash toward desert mountains.

Badlands, Desert Valley. © Copyright 2023 G Dan Mitchell.

The view across eroded badlands hills and up a broad wash toward desert mountains.

This scene has intrigued and challenged me for quite a while, and this is certainly not the first time I have photographed it. I is near an area where I frequently photograph in Death Valley, and for a variety of reasons I typically arrive at this spot after completing work in nearly locations. The view opens suddenly from a high perspective at a turn in the route, and I hardly ever pass without stopping.

As can be the case in the desert landscape distance, atmospheric contact, lighting, and subjects of low contrast are both pluses and minuses. Landscapes that may look well-defined in person are not always easy to translate to a photograph. This time I decided to render this subject in monochrome, which gives me more control over some of these parameters and try to register the depth of the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Layers and Folds

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Layers and Folds
The complex geology of badlands terrain, Death Valley National Park.

Layers and Folds. © Copyright 2022 G Dan Mitchell.

The complex geology of badlands terrain, Death Valley National Park.

The landscape of Death Valley National Park is extremely varied. The popular imagination first focuses on scenes of sand dunes, the classic signifier of “desert.” But the place is full of canyons, stream beds, surprising instances of water, mountain peaks, and even forests of several types. All of these are special, but scenes like this one may embody one of the the most common elements of this landscape, the exposure of its underlying geology.

The area of this photograph is incredibly complex. It is a maze of small, eroded formations and canyons, all of them interconnected. Underlying this are uplifted layers of material in colors ranging from nearly black to nearly white, interspersed with surprising bits of red, blue, and green. I photographed here early in the morning because the light was softer and richer and because the low angle of the sun entering the scene from the side delineated the eroded features.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains and Valley

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Desert Mountains and Valley
Badlands, mountains, and a valley, Death Valley National Park.

Desert Mountains and Valley. © Copyright 2022 G Dan Mitchell.

Badlands, mountains, and a valley, Death Valley National Park.

As I continue (still!) working my way though this year’s Death Valley photographs, a familiar process is at work. I first go to images that jump out at me or which I specifically recall making. In some ways, this is the easiest part of the process. Then I dig into the archive more carefully, considering photographs that seem less obvious, but which “work” once I spend time with them. At about this point I imagine that I have finished, but the thought that I’ve missed something gnaws at me, and inevitably I head back into the files again and gradually find subtler images that I like.

This is one of those later-stage photographs. On this morning I made several exposures from this spot, and two others initially jumped out at me as “the shots” from this place. When I looked at this one, there were things I liked about it, but I had other photographs that I wanted to deal with first. When I finally came back to it I think I started to realize what I must have instinctively found interesting about this scene when I pushed the shutter button. It is a large landscape, looking across bare foreground hill into a large valley, and toward desert mountains distant enough to introduce the effects of atmospheric haze.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Winding Canyon #2

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Winding Canyon #2
Morning light in a winding desert canyon, Death Valley National Park.

Winding Canyon #2. © Copyright 2022 G Dan Mitchell.

Morning light in a winding desert canyon, Death Valley National Park.

We arrived at this spot in a badlands canyon after the morning golden hour but a bit earlier than I usually get there. The route to this view passes by so much interesting stuff that I inevitably get sidetracked, and I tend to reach this spot after the best light. But on this morning, having photographed here not too long ago, I resisted some of those early temptations. The light was still appealing and the desert haze added a nice quality to the atmosphere.

A few weeks ago I shared another photograph of this scene — that one was presented in horizontal landscape orientation. Why share another when that is the biggest difference? Lots of reasons! Sometimes one or the other format is obviously more successful, but in this case they are different but equally valid ways of seeing this landscape. I don’t subscribe to the idea that there is one “right” way to see a landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.