Tag Archives: two

Blue Shirts, Wall

Blue Shirts, Wall
Two men in blue shirts at the East Side Gallery, Berlin

Blue Shirts, Wall. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two men in blue shirts at the East Side Gallery, Berlin.

Berlin’s “East Side Gallery” is a section of the Berlin Wall — which has been entirely removed in almost all other areas — that was turned into a sort of street art exhibit, with all sorts of artists adopting sections of the wall and creating a kaleidoscope of wildly diverse imagery. We were in Berlin for a few days in 2018, and one day we walked over this direction.

I’m often a bit confused about how and even whether to photograph street art. One problem is that making photographs of the creative work of others feels a bit shallow at times. Another problem is that with some kinds of tagging that verge on vandalism, the photographer can feel complicit by sharing the tags more widely. (By the way, tagging is rampant in areas of Berlin that we visited, and some of the familiar American ground rules — such as not tagging homes — are regularly ignored there.) But sometimes photographing the work of others makes sense, and here I decided to mostly focus on the other people there to see the work. Once I did that I began to see a lot of striking coincidences and relationships — such as this pair of men wearing blue shirts and walking in front of this wildly detailed section of the wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Marina Auto Body

Marina Auto Body
Two women stand in in front to the painted walls of Marina Auto Body, San Francisco

Marina Auto Body. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two women stand in in front to the painted walls of Marina Auto Body, San Francisco

Marina Auto Body is not a place I had previously noticed on my San Francisco street photography walks. I’m a bit surprised, as it it is just a short distance down a side street that I almost always cross when walking from the train station toward the central downtown, and I have photographed other subjects near this intersection. Perhaps this time I missed the walk signal, looked around for a moment, and happened to see it.

I think that I perhaps first noticed the two figures standing in front of the show and set off against the mostly-blue paint of the building. I walked up the street so that I could be directly across the street to photograph — I might have wished to be a bit closer, but I had little choice given the wide and very busy street. I waited, and finally was able to photograph during a break in the traffic. The little building is visually remarkable, with vividly painted scenes on each of the large doors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Sandhill Cranes In Flight

Two Sandhill Cranes In Flight
Two sandhill cranes take to the air on a foggy morning

Two Sandhill Cranes in Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two sandhill cranes take to the air on a foggy morning.

Most often when I see these birds in flight they are in somewhat larger groups, especially during the daily fly-in and fly-out events. Then they may fly in long lines, either side by side or beak to tail. By comparison to some of the other birds of similar size, they usually have a fairly smooth and steady sort of flight — with the exception of absolutely manic moves that they sometimes make when they arrive in the evening, with some birds seemingly dropping suddenly out of the sky and skidding off in odd directions.

This pair was almost heading straight toward me, and at a fairly low altitude. This is a bit unusual, as that groups that are about to fly over me typically divert at the last minute and pass to one side or the other. (I’d guess that out of all the groups that look like they will fly right over me, no more than one our of twenty actually do.) One thing I enjoy about this photograph is that you can see the birds in two different ways — either as a pair of separate individuals or as a striking combined x-shaped pattern.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Buildings, Night

Two Buildings, Night
“Two Buildings, Night” — Night photograph of two buildings in the historic core of Mare Island Naval Ship Yard

One of the attractions of photographing at night is the way that everything changes and familiar and even mundane subjects can be transformed. Night almost automatically adds an element of mystery to subjects, even when the literal subjects might arguably be mundane. This is partly the natural associations we make with the night, but it is also the objective nature of the light — rather than working under the sun or other forms of light from the sky, we rely almost always on multiple point sources of artificial illuminations. (And exception would be working under full moon light, but that has its own implications.)

I made this photograph in the “historic core” area of the Mare Island Naval Ship Yard in Vallejo, California. For the most part many of the original structures still stand in this area. (Much more extensive redevelopment has occurred elsewhere on the island, some of which has removed the old facilities.) Here some of the buildings have been updated and put to use for more modern purposes, but the general feeling of the place remains. I have photographed in this little alley-way for about fifteen years now. Somethings stay the same and other change, and on this visit I found that I was able to use the new corner windows on the foreground building as a point of focus.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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