Tag Archives: usa

Morning Cranes, Pond

Morning Cranes, Pond
A large flock of cranes, resting in a pond on a foggy morning, prepares to take flight

Morning Cranes, Pond. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large flock of cranes, resting in a pond on a foggy morning, prepares to take flight

I made this photograph on a bit of a gray morning. As I drove toward this place the sky was clear, but just before sunrise the typical Central Vally tule fog began to develop. It did not completely sock the area in, but it turned the sky gray and obscured views of distant trees and other subjects before long.

As things come to life in the early morning hours in these wetlands areas, the cranes are often the first birds to take flight in large groups. (Though, unlike geese, whose groups may include thousands of birds, a group of cranes is often fewer than ten.) I was early enough to spot where the cranes were coming from before all of them were gone, and I arrived at this spot to see a large group of them standing in the shallow water, gradually taking off a few at a time. If you watch quietly, the birds seem to be very quiet — but almost without warning some of them will appear to stretch forward a bit, and soon they take to the air.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pond, Trees, Sky

Pond, Trees, Sky
Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

Pond, Trees, Sky. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

When I have written about some of the previous photographs of these San Joaquin Valley areas, where I go to photograph birds in the late fall and winter, I have described the cycle of my earlier mornings in such places: awake hours before sunrise, a two-hour drive in the dark, frequent arrival in thick tule fog, the first sound of birds after I stop my car and get out, the sensations related to photographing in the cold and foggy morning, the first light, sunrise. This photograph comes from a bit later in the morning, closer to the time when the rapidly changing early morning conditions stabilize and things begin to seem more static.

On this morning there had been some of the usual tule fog at daybreak. I photographed in those conditions for the first hour or two, but by 8:00 the fog was mostly gone and all that remained of it was the common Central Valley winter haze. Above that was the huge expanse of sky that I’m often aware of here — sky stretching unbroken from the low hills in the west to the distance Sierra Nevada crest far to the east. By this time the birds were generally much less active and the quick pace of the sunrise hours gave way to the slow, still quality of the midday hours.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hair, Bus, Sun

Hair, Bus, Sun
A street vignette in San Francisco

Hair, Bus, Sun. San Francisco, California. December 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A street vignette in San Francisco

The camera is tilted. The guy is hanging off the edge of the frame. The sun is blown out in the center of the sky. It was underexposed. Darned bus appeared in the frame. That’s street photography, and I like it. There isn’t a whole lot to say about the photograph itself — or perhaps there is more to say that will fit into two paragraphs. The fellow caught my attention as we were walking along. As he passed, with the sun backlighting his wild hair, I had just enough time to squeeze off a shot without even raising the camera to my eyes.

Doing street photography reminds me of an important thing, namely the crucial role that several things play in photography, things that don’t often get quite enough attention among some photographers, especially those who tend to gravitate to landscape photography and who (with good reasons!) like to attend to the careful calculation of many aspects of picture-making. (Don’t worry, I like to take those things into consideration, too.) The things too often left unsaid have to do with the role of luck and with the importance of being able to respond very quickly, even intuitively, at times. We simply cannot control all aspects of a photograph. In a few situations — perhaps working in the studio with inanimate objects — we can come rather close, but in almost all other sorts of photography it is as much about finding a thing and then recording it in the best way possible during the time we have to work with it. Clearly, this photograph is highly reliant on things I could not control. But, honestly, the same could be said about wildlife photography, and even about many landscape photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Marshland Trees, Autumn Haze

Marshland Trees, Autumn Haze
Marshland trees with fall foliage on a hazy San Joaquin day.

Marshland Trees, Autumn Haze. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Marshland trees with fall foliage on a hazy San Joaquin day.

This was quite a day — San Francisco Bay Area to the San Joaquin Valley to the Sierra foothills and back, sunrise alone in tule fog among the birds to the crowded (and fun!) reception for the “AVIAN — Birds in a Changing World” exhibit in Oakhurst, and lots of driving!

The day began with my pre-dawn arrival in the San Joaquin Valley wetlands, where tule fog was forming as the first light appeared. Although it was a weekend morning, there was almost no one else out there besides me and a few thousand birds. I saw a giant flight of what I believe were trim-color blackbirds in the distance — I’ve never seen so many at one before — and then an impressive dawn fly-out of sandhill cranes. A bit later in the morning, once the early morning bird action had subsided, I spent a bit of time photographing the landscape. This beautiful tree, with late-season autumn color, is striking in its quiet presence in this mostly flat landscape of ponds and grasslands and, of course, birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.