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Dense Brush, Morning Light

Dense Brush, Morning Light
Morning light falls on dense brush at Pinnacles National Park

Dense Brush, Morning Light. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light falls on dense brush at Pinnacles National Park

Today’s photograph is another from my recent re-introduction to Pinnacles National Park in the mountains to the east of California’s Salinas Valley, following a gap of decades since my last visit. Despite being a place that I regularly visited when I was much younger — back then I rode a bike there to camp, went there to rock climb, hiked the trails and caves — it had somehow slipped off my map of places to visit. For the past few years, since its conversion from National Monument to National Park status, I’ve been planning to finally return.

If your experience with National Parks is mainly with the big, iconic parks such as Yosemite or Yellowstone, this park is going to surprise you with its intimacy. It is a relatively small place, and even its primary visual feature, the High Peaks, doesn’t present a single, focused identifying image in the way that, say, Half Dome or Old Faithful do. It seems more the sort of park that is about subtle and small things and the overall experience of the place — mostly California chaparral terrain that can evoke a sense of near desert at times. I made this photograph earlier in the morning when I paused along a route through a canyon when I came upon dense, back-lit foliage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees and Stone

Trees and Stone
Trees, a boulder, cliffs and towers — Pinnacles National Park

Trees and Stone. Pinnacles National Park, California. March 17, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Trees, a boulder, cliffs and towers — Pinnacles National Park

Visiting Pinnacles National Monument last week presented me with an unusual experience. Typically I photograph in two kinds of places. To simplify a bit, one sort is the places that I have photographed repeatedly over long periods of time, and which I have gotten to know intimately. The other type would be places that I don’t know at all, and which I come to with an almost “blank slate,” discovering their character directly as I encounter them. “The Pinnacles,” as I’ve referred to the place for years, doesn’t quite fit into either category. When I was much younger I frequently visited the place, starting with my parents when I was quite young and continuing into my twenties when I was a rock climber. So some memories and sensations from the place a deeply embedded in my memory and experience. But they I stopped going there and has been decades since I was last there.

With that in mind, it is no surprise that my first visit included quite a few “I remember this!” moments, combined with about as many “This is new!” moments. We mostly visited the east side when I was young, but this time I arrived from the west. I had hiked the high peaks trail, and even climbed some of its pinnacles, but I was surprised to (re)discover just how narrow, steep and exposed it is. So my approach to the place was a combination of working with what I know and discovering what was new. In the end it felt like I was sort of “feeling my way” back into familiarity with the place. I could not yet quite see how to photograph some seemingly obvious subjects, such as the high peaks area, so I focused on many non-iconic subjects, such as the scene of gray and red rocks and trees in this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Morning Light

Trees, Morning Light
Sunlight illuminates trees on a spring morning at Pinnacles National Park

Trees, Morning Light. Pinnacles National Park, California. March 17. 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Sunlight illuminates trees on a spring morning at Pinnacles National Park

On this first return visit to Pinnacles National Park in about three decades — the last time I visited the place it was still called Pinnacles National Monument — I approached from the west through the small Salinas Valley town of Soledad, heading east into the low, grass-covered hills, ascending wooded valleys, and then passing through vineyard country where I had my first good views of the pinnacles. Until that point much of the drive did not bring back any memories, but that view was much as I remembered. I continued a bit further, passed the expected national park entrance sign, arrived at the kiosk, and went into the nearby ranger station to show my permit. This faculty seemed new to me, and it certainly had not been there years back when we simply drove up the end of the road and camped. This time I got back on the road and continued toward the end of the road.

One expects to simply ascend to the end of this road, but the route surprised me by descending into the valley where that old campground (now gone over twenty years) was once located. Along this descent the road passed by the beautiful California “impossible green” spring landscape of new grass, budding trees, and a few wildflowers. At one point the road turned to the right and descended, and in front of me was a high ridge with back-light flowing over its summit and striking the trees from behind. Those who know me know that I’m completely unable to resist back-lit trees, so I pulled over and paused to make a few photographs before continuing the short distance to the trailhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

D8 Crane, Night

D8 Crane, Night
The D8 crane at night, Mare Island Naval Ship Yard

D8 Crane, Night. Mare Island Naval Ship Yard, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The D8 crane at night, Mare Island Naval Ship Yard

As all who photographer there know, these huge crane are among the primary iconic elements of the historic Mare Island Naval Ship Yard. Their size makes them visible from many places including the opposite shore in the town of Vallejo across the harbor. Their appearance is striking, especially at night, when their organic forms are usually lit from below, especially now that they are once again in use as part of a project to dismantle the ships of the old “ghost fleet” that was long moored near the Carquinez Bridge.

Their reactivation has created some photographic opportunities that were rarely available when I first began photographing at Mare Island a dozen or more years ago. Back then the cranes, which can be moved around the dry docks along a system or railway tracks, were often parked in inaccessible locations and seldom well-lit. But on this visit we found two of them had been moved out from behind the security fences and along a closed roadway. We were able to photograph them close-up and from a range of positions and angles. Each has a sort of personality. The closest one is bright yellow in the artificial light, while the further crane has a dark and weathered appearance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.