Tag Archives: usa

Dissipating Structures

Dissipating Structures
Dissipating Structures

Dissipating Structures. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections of a crane and Chicago buildings

Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.

But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canyon Walls, Reflected Light

Canyon Walls, Reflected Light
“Canyon Walls, Reflected Light” — Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Forest, Granite Bowl

Forest, Granite Bowl
Forest, Granite Bowl

Forest, Granite Bowl. Yosemite National Park, California. September 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on forests and a glaciated granite bowl, Yosemite National Park

Large slabs of nearly unbroken granite, left behind in the wake of ancient glaciers, are a prominent and characteristic feature of the high country of Yosemite National Park. There is granite all of the Sierra, but this granite often seems to me to be more intact, and rather than encountering fields of broken rock it is common to come across these beautiful structures of exfoliating granite, often still with areas of smooth and reflective glacial polish. Scattered trees have taken hold in surprisingly thin cracks.

This bowl is in such a characteristic place, in the bottom of a great river canyon, just where it begins to become narrower and steeper. The area clearly shows the effects of glaciation, from the smooth rock in the canyon bottom to the sculpted domes and faces above. I have photographed in this bowl before on several occasions, and despite shooting there many times I continue to find new ways to see it every time I visit.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Morning, Fremont River Valley

Autumn Morning, Fremont River Valley
Autumn Morning, Fremont River Valley

Autumn Morning, Fremont River Valley. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn morning light and clouds above the valley of the Fremont River

Technically this location is actually just outside of Capitol Reef National Park, but its close enough. The plan on this morning was to make a journey down the east side of the park to a somewhat more remote area, so we started out rather early. After passing through the park and starting the drive to our eventual destination we quickly realized that a fairly unusual and spectacular sunrise was underway, so we found the first available location from which to take advantage of the situation.

This was most definitely not a blah blue sky morning! A variety of clouds filled a good portion of the sky in several directions, though light was able to pass through gaps in the clouds to the east. Above the peaks of Capitol Reef to the west the sky was generally darkened by high clouds that briefly took on rosy dawn colors before fading. To the north were lenticular clouds, some lined up in formations that reminded me of California’s “Sierra wave” clouds. When I saw these clouds and this light, the obvious question was what to put in a photograph that included them — so I quickly wandered over the a high point above the valley of the Fremont River from which I could photograph across the sunlit valley to include the spectacular clouds and darker peaks in the distance.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.