Tag Archives: use

Young Lake, Mount Conness

Young Lake, Mount Conness
Cloud shadows race across the landscape on a summer day near the Sierra crest below Mount Conness

Young Lake, Mount Conness. Yosemite National Park. September 11, 2007. © Copyright 2015 G Dan Mitchell – all rights reserved.

Cloud shadows race across the landscape on a summer day near the Sierra crest below Mount Conness

This is an older photograph, made eight years ago back in 2007 on a late-season solo backpack trip into the Yosemite back-country. A week or so after the Labor Day holiday, the crowds almost disappear from the park’s high country, and everything seems to sort of slow down as the summer comes to and end and the inevitable signs of impending autumn remind us that summer is over and winter is not that far away. I think that this can be the most beautiful time of year in the Sierra, especially on a day with beautiful, warm autumn-like light, golden brown meadows, blue sky, comfortable temperatures, solitude, and perhaps a few passing clouds.

There is a story about how I found myself in this high spot overlooking this lake and the mountains beyond. That morning I had been poking around near by bivy sack camp when I saw someone napping in the lakeside meadow. It turned out to be a backcountry ranger. I made some wise-guy remark (intended entirely in jest, and he took it that way) about the challenges of the ranger’s life, and we got to talking. For him, this late season period was a time to slow down a bit and enjoy his own solitude. As we talked he pointed up towards a rocky saddle above the lake and pointed out what, in retrospect, should have been obvious to me — there was a well-used cross-country route through the saddle. So I decide to depart the lake via this alternative route, and when I reached the top of the climb and looked back I saw this spectacular Sierra panorama.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Agave Plants

Agave Plants
Agave Plants

Agave Plants. Huntington Botanical Gardens, San Marino, California. November 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Agave plants, the Huntington botanical gardens

We spent the Thanksgiving Holiday in Southern California — and once we finished the Big Eating Day Celebration, we did other things. Well, OK, we ate more, too. Among those other things was a trip to the Huntington Library, etc. in San Marino, a place that we had not been to before. (The “etc.” above acknowledges the ridiculously long name of the place, a name the mentions galleries, library, and gardens. I wonder if people in the area perhaps just call it “The Huntington?”)

There was lots to see there. We started by focusing on art, both old and new — including an exhibit of photographs — and then moved on to lunch, followed by visits to a bunch of gardens: Chinese, Japanese, tropical, and desert. I wasn’t there primary for photography, but since I had a camera with me I did make a few photographs, including this close up of the beautiful leaves of this plant, whose form is almost always intriguing.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

About Tripods (Morning Musings 11/4/14)

Working the Red Rock Landscape
“Working the Red Rock Landscape” — Photographers at work in Utah’s red rock country

Morning Musings are back! Today I have a few general thoughts about tripods — not aimed at those who are already confirmed tripod users, but rather at those who find it hard to bother using them.

To start, let’s admit that one does not always need a tripod. For certain types of photography in which quick response is required and being too obviously a photographer can interfere with photographs, it is usually better to not use one. There are exceptions to every rule, but you are unlikely to use a tripod for most street photography, for personal and family photography at home and on vacations, for certain kinds of portrait work, casual travel photography, and so on.

Let’s also agree that using a tripod is a burden, especially at first when you haven’t accepted the extra trouble and when you haven’t developed instincts that make tripod use a lot more automatic. I’ll readily admit to being less than thrilled on about the 50th time that I must remove my tripod from the car or pack, extend and lock the legs, level the thing, attach the camera, and only then make a photograph… after which I have to reverse the process: remove the camera, collapse the tripod legs, stow the thing once again. The slightly put-upon feeling diminishes as you get used to it, but it never goes away entirely. (The good news here is that the process of setting up and using the tripod does eventually become much quicker and much more automatic.)

Photographer Franka M. Gabler
“Photographer Franka M. Gabler” — Franka M. Gabler in the field photographing in the San Joaquin Valley

So, why use it then? There are more reasons than you might imagine.

Stability is an obvious advantage of the tripod. While you can, with care and practice, often hold a camera quite steadily and produce very sharp images when shooting handheld, you simply cannot eliminate all of the blur that comes when you hold the camera in your hands. And if you do happen to have very steady hands, you still will make mistakes that produce blur — working a bit too fast you may introduce a bit of camera vibration in some shots and you will reduce the number of successful results. A good tripod used correctly can virtually eliminate camera motion and vibration. This is especially important when doing types of photography that intrinsically require longer shutter speeds. This obviously includes night photography. Low light, low ISO, long lenses, and small apertures often require landscape photographers to use rather long shutter speeds.

Photographer, Sabrina Basin
“Photographer, Sabrina Basin” — A photographer working the autumn colors from a ridgetop in Sabrina Basin, Sierra Nevada, as an early fall storm comes in.

High resolution cameras can capture images that may be reproduced at much larger sizes, and at those sizes the effects of minor camera stability issues become more visible. If you want to take advantage of such cameras’ potential for higher image resolution, the stability that comes with tripod use can be critical.

Continue reading About Tripods (Morning Musings 11/4/14)

Schnitzel Truck Line

Schnitzel Truck Line
Schnitzel Truck Line

Schnitzel Truck Line. New York City. August 7, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Workers line up at a Manhattan schnitzel truck

I had just stopped nearby to grab a quick coffee and some breakfast, but these downtown workers were apparently already lining up for schnitzel at this mid-morning hour. Food carts and food trucks are ubiquitous in this part of Manhattan, though most are the standard hot dog and pretzel (and more) places. This one offered something a bit different from the usual fare.

The truck itself caught my attention — it isn’t every day that you catch a schnitzel-selling food truck. But there were several other visual elements that seemed interesting to me as well. In a purely visual sense, the complex pattern of the tree shadow on the concrete was striking, almost as if the pattern was part of the sidewalk. (As I shot it I thought about how this “pizza light” might pose similar challenges when photographing in the forest.) The people, obviously, also were intriguing. Except for the second guy in line, who apparently doesn’t want to risk losing his place, each person keeps a rather large distance between himself and the others. The guys at the back of the line busy themselves with their smartphones, and all four of them are visually almost identical, except that one of them is not wearing a pink shirt.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.