Tag Archives: utah

Reader Questions — March 10, 2017

Photographers write to me with questions, and I always try to reply. In many cases I prefer to reply here on the website so that others who may have the same questions can see the answers, too. Today I’m going through a backlog of questions on a variety of topics: neutral density filters, photographing in Utah, the Canon 5DsR, use of photographs by non-profits.


Pete writes: Dan enjoy your website! Question:Have the Mark III – May get the 5DSR – Has anyone used the 5DSR with Neutral Density Filters 6,10,15 etc.. and what have been the times -lengths – and outcomes? Any noise issues? Other problems noted?

Thanks for writing, Pete. I use a 10-stop neutral density (ND) filter sometimes and I use the 5DsR… but so far I haven’t used the two together! That said, I can’t think of any problems that would be specific to the use of these filters on the 5DsR. I do have experience using the 5DsR with much longer exposure times for night photography, and it works quite well for that.

For those who don’t know, the very dark 5-10 stop and more ND filters can be used to extend the exposure time in daylight conditions. Depending on the filter and your aperture choice you could get 30 second or long exposures. Their use presents a few challenges: Continue reading Reader Questions — March 10, 2017

Autumn Aspen Forest

Autumn Aspen Forest
Autumn Aspen forests stretch across the landscape of Dixie National Forest, Utah

Autumn Aspen Forest. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn Aspen forests stretch across the landscape of Dixie National Forest, Utah

Is it ever to soon to start thinking about fall color? I think not. I made this photograph nearly five years ago on a big autumn trip around Utah. We started with a few days in California’s Eastern Sierra, then crossed Nevada by less-used routes to get to the area near Cedar Breaks. From there we headed east, eventually going as far as Moab before cutting across northern Arizona on our return trip.

This photograph was made not far from Cedar Breaks, along a gravel road that we happened to end up on for no other reason than we had some time and it looked interesting. The aspen forests here are more extensive that what I’m used to in California — they stretch over larger distances, and often the trees are straighter and taller. As you enjoy this beautiful scene, keep in mind that much of Utah’s wild lands — our wild lands — are under threat from political forces in the state that would place the short-term gain of a few special interest industries above the interests of the land’s current owners, you and me!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red Rock, Tree

Red Rock, Tree
A tree grows among eroded sandstone formations, Bryce Canyon National Park

Red Rock, Tree. Bryce Canyon National Park, Utah. October 6, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

A tree grows among eroded sandstone formations, Bryce Canyon National Park

Recently I spent some time going back through older photographs from some visits to the Southwest, notably Utah, a few years back. I suspect that three things provoked me to do this. First, I have found that I’m not always able to completely understand my own photographs right away. Some are obviously “keepers” from the very beginning, but others only make sense after I have not looked at them for a while — so I build this periodic visit to older subjects into my workflow. Secondly, I love the Utah landscape, from its most intimate to its grandest subjects. It is a place I think about a lot, and a place that I would like to revisit often. Third, I’m acutely aware of the existential dangers to this very landscape posed by the ascendance of short-sighted, self-interested, hyper-partisan political forces in Utah right now. As a matter of principle, I have decided to not visit that state until their representatives stop trying to ruin it. (I urge you to consider contributions to the Southern Utah Wilderness Alliance or other local groups working to protect Utah’s public lands for all Americans, and to join me in boycotting the state for now.)

This photograph comes from Bryce Canyon National Park, a place of great beauties… that I still haven’t quite gotten my mind around. The rugged red formations facing the rising sun certainly present a striking appearance, but working from along the main road and its offshoots I still haven’t found my vision of the place. Oddly, some of my strongest visual recollections of the place are looking back at it from the east and from a great distance. In this photograph a single small tree peeks out from behind some of the sandstone structures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Boulder Mountain Aspens

Late season aspen groves, Boulder Mountain
Late season aspen groves, Boulder Mountain

Boulder Mountain Aspens. Dixie National Forest, Utah. October 6, 2012.© Copyright 2012 G Dan Mitchell – all rights reserved.

Late season aspen groves, Boulder Mountain

These beautiful aspen groves stretch great distances up the hillsides in this area of Boulder Mountain in Utah. The road from Boulder to Torrey passes across an open section as it rises from Boulder, and here there are expansive views, uninterrupted by other kinds of trees. I had first seen this area during a spring visit, and this autumn visit was something of a follow-up.

I suppose that we actually arrived too late for the peak color, and it is clear that many of the trees further up the slope have lost virtually all of their color. On the other hand, the juxtaposition of the bare hillside and the bare upper groves with the scattered end-of-season color in the foreground trees only makes their color that much more striking.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.