Tag Archives: valley

Vines and Bue Door

Vines and Bue Door
“Vines and Bue Door” — Grapevines grow around the blue door of a stone building in a Portuguese vineyard.

My recollection is that I made this photograph on the last long day of our May walk in Portugal’s Douro Valley region. We walked out of the town of Alijo on a gray and damp day and into the surrounding vineyard-filled countryside. This door is on the side of an old stone building in one of those vineyards, and I assume that its purpose is related to wine growing in some way.

Looking back at my raw files of this subject, I realized that they embodied a basic rule of photography — try to get closer! My first photograph was of the whole building and the surrounding landscape. Then I moved in and tried to frame the full building by itself. Finally I walked even closer and found a couple of compositions featuring this weathered blue door.

An addendum: It turns out that Patricia Emerson Mitchell (https://patriciaemersonmitchell.com) photographed me as I positioned myself to make this photo!

G Dan Mitchell photographing in Portugal
G Dan Mitchell apporaches an old stone building in a vineyad near Alijo, Portugal. to make photographs.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Flow #2

Autumn Flow #2
“Autumn Flow #2” — The surface of the Merced River, broken by boulders, reflects golden fall colors from nearby trees.

This is a companion image to another photograph that includes some the same rocks but in vertical/portrait orientation. The scene is an otherwise unremarkable section of the Merced River in Yosemite Valley that probably doesn’t merit a stop from most visitors to the Valley. (Though quite a few park photographers have stopped to make images in this general area.) The appeal is the combination of rocks (at least during periods of low flow in the river), the patterns of moving water, and reflections.

Speaking of reflections, they are the source of the warm colors in the water. They include the light on a very large sunlit cliff on the far side of the valley and the colors of autumn leaves in the forest on the opposite river bank. To notice a scene like this you have to look past what your eyes likely want to see (water and rocks) to see the intense color reflected in the water.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Red Rock Sunset

Red Rock Sunset
“Red Rock Sunset” — Sunset light on red rock formations near Fruita, Capitol Reef National Park.

This spot is obviously full of spectacular scenery, though it was a bit tricky to photograph near sunset. One of the “problems” actually turned out to be a plus. There was some overcast that muted the light, but the light was still strong enough to be softly directional, especially on the more distant cliffs. A second issue is geological. The area is on an inclined formation that rises to the west, so the sun actually drops behind the uplifted western horizon a bit earlier than true sunset.

The color was astonishingly red in this sunset light, especially since the soft light reduced harsh shadows and highlights. I don’t often include roads in my landscape photographs, but in this case, a) it was unavoidable and b) it produced a useful leading line heading toward the groves of trees and the campground at Fruita.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

The Shadow’s Edge

The Shadow's Edge
“The Shadow’s Edge” — The shadow from Yosemite Valley cliffs moves across autumn oak trees.

I photograph in this meadow during nearly every visit to Yosemite Valley. The big oak trees are the stars for the most part — though it is hard to ignore the impressive mass of El Capitan rising behind you. The autumn foliage on these trees turns golden-brown before falling, and it can glow luminously when backlit.

The light is key to photographing here. Because this part of the valley is narrow and because tall cliffs rise on either side, the amount of direct sunlight is limited. Shadows traverse this meadow in the morning and the afternoon, and there’s interesting lighting along the margins of the shadows. Here you can see the line of shadow along the right side of the frame. Moments after I made the photograph the shadows fully enveloped these trees.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.