“Winter Plants, Fog, and Bird” — A solitary bird perches in wetland plants on foggy winter morning.
Winter is the time of fog and migratory birds in California’s Central Valley. But once again and all too soon, we are approaching the end of that season. Orchards are blooming and temperatures are rising, and in a week or two the migratory geese will be on their way north again. The thick tule fogs will give way to the clearer skies of spring.
This photograph comes from a visit to the Valley back in January, on a day I chose precisely because it was going to be foggy. It turns out that I got too much of what I was looking for — the fog never cleared, and in the murk I could not find many of the birds I came for. Instead, I photographed the quiet and mysterious landscape.
“Great Egret Portrait” — A “head shot” of a great egret.
Great egrets are a common sight here in California, from the coastline to inland wetlands and creeks. Their distinctive white plumage makes them stand out in almost any landscape. It doesn’t hurt that they are quite large, too — the largest of several different egret species. I photographed this one at a wetland area in California’s Central Valley on a foggy day that softened the light.
In some ways it is easy to photograph them, but in others it can be tricky. It is a bit easier to fill the frame with an egret since the birds are large. They also tolerate human presence… up to a point. So, it isn’t too hard to photograph them on the ground. Catching them in flight is a different matter. Most often they will be flying away from me, and when they take off they often do so suddenly and without much warning.
“Winter Fog and Trees” — Thick tule fog in a thicket of trees, Central Valley.
TWinter is the season for migratory birds in California’s Central Valley, and I try to get out there as often as I can. This region is also the site of extraordinary tule fog — frequently thick enough to make driving quite challenging. My ideal day of bird photography In the Valley starts with early morning fog that begins to thin after dawn. But sometimes the fog does not thin.
This was one of those persistently foggy days. I could hear birds around me, but I could rarely see more than a hundred feet or so into the murk, so bird photography was not happening. That’s my signal to revert to landscape photography, and fortunately the fog produces a moody and mysterious effect on the landscape.
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.
Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.
Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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