Tag Archives: view

The Valley, Autumn Fog, Evening

The Valley, Autumn Fog, Evening
Fog fills Yosemite Valley at dusk following an autumn storm

The Valley, Autumn Fog, Evening. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Fog fills Yosemite Valley at dusk following an autumn storm

OK, I confess that sometimes I still stop at Tunnel View, and sometimes I do take my camera out, and I may even make a photograph. ;-) On this late-autumn evening I had been in the Valley for just an afternoon, on a day that had begun with quite heavy rainfall as I drove to Oakhurst for a meeting. The rain turned to showers with some breaks of sunlight as I drove to the Valley in the afternoon for a few hours of photography.

I photographed well east in the Valley, working wit clouds that were brushing past pinnacles and faces high on the granite walls. As the sunlight left that subject I packed up and started to head out of the Valley and back toward Oakhurst. I passed Tunnel View, and as I always do, I did a quick visual check to see what was going on. I got out of the car and walked to the overlook — there were almost no photographers left by this point, as it was well into the dusk blue hour light. It was quite dark, actually, though there was still residual light on the furthest peaks and on higher portions of the clouds, Drifting low clouds and fog almost filled the Valley itself. The fog was intriguing, so I dashed back to my vehicle, grabbed the camera and a lens and tripod, rushed back, and set up to make a few exposures in the failing light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Through the Scrim

Through the Scrim
Benches and a balcony, San Francisco Museum of Modern Art

Through the Scrim. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Benches and a balcony, San Francisco Museum of Modern Art

There is a small thread in my photograph of the interior spaces of buildings that looks through gauzy, diffused curtains, blinds, and scrims toward the world outside. For example, I have several in his line that I made at the Getty Museum in Southern California, and some things photographed in museums in New York that go in a similar direction. I made this photograph at the new SFMOMA museum in San Francisco during a members’ preview before the official opening last week.

I love the newly expanded and remodeled museum. One writer commented on the way that the new facility opens to the City. (The former building, as good as it was, was mostly closed off from San Francisco, with few places where the interior space opened to views of the surrounding area.) Now the new “back side” of the museum opens straight out over and into the urban environment, and there is quite a bit to see there — and the design creates a stronger link to this city. In this photograph, which was initially “about” the lines of the buildings in the upper part of the frame, the shapes and tones of the two foreground benches are beginning to interest me more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Basin and Range

Basin and Range
A long distance view across Death Valley and to distant mountains beyond

Basin and Range. Death Valley National Park, California. March 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A long distance view across Death Valley and to distant mountains beyond

The landscape of Death Valley National Park is immense. The fact that it is the largest national park in the lower 48 states begins to penetrate my awareness the more time I spend there. A number of years ago I spent some time on a very long cycling trip in Alaska and the Yukon, and this desert landscape comes closer than any other I have experienced to evoking the same sense of huge distances and deep stillness and quiet. This landscape extends even further beyond the boundaries of the park, from the Sierra Nevada to the west to distant peaks of the basin and range country to the east.

This high elevation location opens to such a huge swath of terrain that it is difficult to get your mind around the scale of what you are seeing. For example, there is a road out there in the large valley. To get there from the place where my tripod was set up would take me hours of driving — and that would take me perhaps less than half way toward the most distant peaks. Enhancing the other-worldly quality of this morning was the unusual atmosphere. The clouds of a weather front were breaking up over the mountains and valleys, and their shadows were moving across the landscape. Meanwhile, in another valley far behind me, dust storm conditions (which would envelope this entire scene by the end of the day) were beginning to pick up, and already the atmosphere was getting that milky, hazy quality that precedes such weather. At the bottom of the scene is an immense gravel fan that has carried material down from these mountains, filling the valley in places to thousands of feet of depth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Black Star, Tiles and People

Black Star, Tiles and People
People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

Black Star, Tiles and People. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People standing on tile near Frank Stella’s “Black Star” at the Whitney Museum

On our December 2015 visit to New York City we had a chance to visit the new Whitney Museum for the first time. We see the early construction phases on several earlier visits when we went to Chelsea and were pleased to find that it is now open. We went there one morning, began on the top floor, and started to work our way down. (I’m a bit notorious for being able to spend what some regard as far too many hours wandering slowly through museums. Eventually the others in my party left. I stayed and finally joined up with them again hours later.)

The museum’s collection is, of course, fascinating. But the building itself also fascinated me — as a structure it its own right, its placement in its Manhattan surroundings, how it is used to display art, its outdoor areas, and the opportunities it gave me to include people in photographs. I did virtually no photography inside the building, but on the outdoor terraces and walkways it was an entirely different situation. These areas were perhaps the most attractive parts of the architecture for me, with upper levels thrusting out over the Chelsea landscape, and lower levels spreading out horizontally. From below it created a sort of industrial landscape of metal angles, and from above the views downwards were quite something. This photograph looks over one of the upper balconies and straight down onto a tile-covered terrace where Frank Stella’s “Black Star” resides and was being photographed and contemplated by visitors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.