Tag Archives: wall

Doorway, Arezzo, Italy

Doorway, Arezzo, Italy
“Doorway, Arezzo, Italy” — Doorway and wall on a side street in Arezzo, Italy.

We came to this scene during a long exploratory walk. Our lodgings were in the lower part of old Arezzo, and as we walked into the old business area the streets began to ascend. There were people about, but it was nothing like the crowds in tourist centers like Florence, from which we had just arrived. Eventually we arrived at Arezzo’s Grand Piazza, but we kept going, right up to the old wall at the crest of the hill. We followed this to the left, stopping to enter an old church. As we came out I saw this little scene, which seems so characteristically Italian.

The building was on a small square near the entrance to the church. It had the features that are common here, including the stonework and the stucco walls, in one of the typical colors in these towns. (They tend toward earth tones of one sort or another.) As uncrowded as the lower town had been, here at the upper end we were almost alone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Loading Dock

Loading Dock
“Loading Dock” — An old loading dock, closed off with corrugated metal sheets.

This photograph is a companion to another one I recently shared featuring a different part of the same old building. It is a weathered structure with loading docks on both sides that is in a very slowly gentrifying light industrial area of San Jose. It has all the features you’d expect — it is next to an old rail line, it is on a fairly major street, and its exterior features concrete, corrugated metal, and very weathered wood.

I had been thinking about photographing it for a while but never seemed to get around to it, despite going there fairly regularly. There are now some newer businesses in the building that we patronize. I finally remembered to bring a camera as I went out for a long walk that would take me there, and I paused to photograph this old loading dock, now obviously abandoned, with its interesting textures and geometric forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Green and Blue Windows

Green and Blue Windows
“Green and Blue Windows” — Green and blue window frams on a blue-gray wall, San Jose.

Some subjects turn out to have been right in front of you all along. These window frames are at an old industrial building that I visit frequently. There’s a coffee place inside where we sometimes grab an espresso. Even better, there’s a fine local brewery. Beyond that, the building happens to be on one of my walking loops (the “four mile loop”) and I frequently pass through the parking lot where these windows are located.

Yet, despite having gone there for several years, I first noticed the windows only recently on one of my walks. I resolved to bring the camera with me the next time, and target the late morning hours when I new the sun would be almost in line with the wall, producing some interesting diagonal shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Underpass Intersection, London

Underpass Intersection, London
“Underpass Intersection, London” — Two roads come together beneath bridges, London.

I photograph when we travel, typically using quite different equipment and techniques than for my landscape photography. While the latter usually uses relatively large and heavy equipment, I downsize in a major way for travel. This is partly due to the realities of travel — we go light and I don’t want or need a big bag of cumbersome gear. (That would actually decrease the overall quality of my photography, which is something I’ll write about at some point.) But it isn’t just the gear — it is also the whole approach. I shoot handheld with a small camera, and I often approach the subjects as a street photographer.

The decision to render this as a monochrome photograph was a bit of a surprise to me. Those round shapes on the wall above the sidewalk are blue lights, and when I made the exposure I thought that they might be a key element. But when I finally got to this image in post, I much preferred the mood of the image in black and white, so I had to let go of that preconception about the lights and color. (As much as pre-visualization is a crucial skill, sometimes post-visualization wins the day!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.