Tag Archives: wall

Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Green and Blue Windows

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Green and Blue Windows
“Green and Blue Windows” — Green and blue window frams on a blue-gray wall, San Jose.

Some subjects turn out to have been right in front of you all along. These window frames are at an old industrial building that I visit frequently. There’s a coffee place inside where we sometimes grab an espresso. Even better, there’s a fine local brewery. Beyond that, the building happens to be on one of my walking loops (the “four mile loop”) and I frequently pass through the parking lot where these windows are located.

Yet, despite having gone there for several years, I first noticed the windows only recently on one of my walks. I resolved to bring the camera with me the next time, and target the late morning hours when I new the sun would be almost in line with the wall, producing some interesting diagonal shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: England, Photographs: Travel, Photographs: Urban/Street

Underpass Intersection, London

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Underpass Intersection, London
“Underpass Intersection, London” — Two roads come together beneath bridges, London.

I photograph when we travel, typically using quite different equipment and techniques than for my landscape photography. While the latter usually uses relatively large and heavy equipment, I downsize in a major way for travel. This is partly due to the realities of travel — we go light and I don’t want or need a big bag of cumbersome gear. (That would actually decrease the overall quality of my photography, which is something I’ll write about at some point.) But it isn’t just the gear — it is also the whole approach. I shoot handheld with a small camera, and I often approach the subjects as a street photographer.

The decision to render this as a monochrome photograph was a bit of a surprise to me. Those round shapes on the wall above the sidewalk are blue lights, and when I made the exposure I thought that they might be a key element. But when I finally got to this image in post, I much preferred the mood of the image in black and white, so I had to let go of that preconception about the lights and color. (As much as pre-visualization is a crucial skill, sometimes post-visualization wins the day!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: England, Photographs: Travel, Photographs: Urban/Street

Red Phone Booth

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Red Phone Booth
“Red Phone Booth” — A red telephone booth stands along a sidewalk in Oxford, England.

As is often the case with a subject like this, it turns out that there may be more than meets the eye. To me this was just an old red phone booth in a surprising location at Oxford University. But a bit of reading after I got home revealed that there are more than a dozen of them in Oxford. They are generally no longer functional, and they date back many decades. And, no, it does not appear that they are larger on the inside than on the outside. ;-)

Color is, of course, important — especially in color photography! If you keep track of such things, you might notice that this photograph and another I have shared (a woman in London) both feature the color red. The color red can be read (unintentional pun!) in lots of different ways. It is the color of blood and sometimes regarded as the color a passion. It stands out against all sorts of backgrounds, especially in the built environment where it is unusual.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: England, Photographs: Travel

A Window In York

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A Window In York
“A Window In York” — Looking out of a window in the Shambles, York, England.

We made a short, two-night stop in York on our train trip from Edinburgh to London. York isn’t exactly an unvisited place, but it is on a smaller scale than the other two cities and was a pleasant respite from the big city vibe of those locations. We had lovely lodgings on a side street, and it was only a short walk across a bridge into the older part of town. We walked over there on this morning looking for breakfast, and we ended up at this “scone shop” in the Shambles.

Yes, the Shambles. If you don’t already know, that description in the English language (“What a shambles!”) derives from this area of York, where tiny businesses crowd together in shops and stalls along very narrow streets. This scone shop was quite small, but the scones were delicious! On the first floor there was barely room for the two of us to stand at the small counter and place our order, and the upstairs eating areas were not much larger. We settled in at a table beneath this windows that provided a view over the nearby neighborhood.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.