Tag Archives: wall

Marbled Canyon Wall

Marbled stone in a Death Valley canyon wall.

Marbled Canyon Wall. © Copyright 2019 G Dan Mitchell – all rights reserved.

Marbled stone in a Death Valley canyon wall.

This little section of canyon wall is one that I’ve marveled (marbled?) at for years, stopping there every time I visit this canyon and pondering how to photograph it. Although I find the patterns (and what they imply about the geology of this place) to be remarkable, it isn’t each to find a way to photograph them the way I want. On this visit the canyon was quite dark and the light filtering down from above was soft and blue-toned.

I am about as far from being a trained geologist as one can be. I have never taken a single course in the subject, though I have read a bit. Nonetheless, I always marvel at the record of time and geological forces that created a little spot like this. Some material was, I presume, laid down “here” over a long period of time. Additional time allowed for it to transform into rock. As geological forces on various scales did their work, cracks appeared that permitted the entrance of entirely different material to create what we see as veins — but which are perhaps better thought of as layers. Eventually the force of water (and perhaps a weakness in the structure of the rock?) exposed this rock to the light. And then I arrived to photograph it…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dormant

Dormant
Deep in a desert canyon, a dormant plant waits for moisture.

Dormant. © Copyright 2019 G Dan Mitchell – all rights reserved.

Deep in a desert canyon, a dormant plant waits for moisture.

This plant grows in a very unlikely place — in a small crack in the rock face of a canyon wall in a deep wash where there is usually no water at all. No doubt it produced this now-dormant lush growth during a brief wet period when, like so many desert plants, it took advantage of a short interval when moisture was relatively abundant. And now, somewhere under all of these dried up branches and leaves, the heart of the plant waits for the next rain.

By the way, I don’t mind at all if you want to look for analogies to the current societal conditions of social distancing, of putting life on hold, of managing to exist in a dark place, waiting for better conditions to return. Feel free!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Visitor

The Visitor
An anomalous white rock rests against dark rock deep in a Death Valley canyon.

The Visitor. © Copyright 2019 G Dan Mitchell – all rights reserved.

An anomalous white rock rests against dark rock deep in a Death Valley canyon.

Desert canyons, especially in an arid place like Death Valley, are refuges from the harsh environment. Not that they are entirely gentle and friendly places, being periodically scoured out by floods and left covered in rocks. But they offer shade, sometimes sources of moisture, and occasional plants. The deepest and narrowest are quiet and still places.

They are transitory landscapes, on time scales that range from annual to much longer. Cut through by flowing water and weaknesses in the rock, they reveal strata from long ago. That flowing water inexorably moves material down from the peaks toward the playa, and almost anything we come across in such canyons will only be there temporarily. I don’t know enough geology to offer too many facts about this rock, but its light color against the surrounding dark rock was striking, as was its upright position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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50

50
Weathered and cracked numbers painted on the wall of an old San Francisco hotel

50. © Copyright 2019 G Dan Mitchell – all rights reserved.

Weathered and cracked numbers painted on the wall of an old San Francisco hotel.

Photographs like this one have, at least for me, several purposes or rationales. To some extent, walking into a regular city environment and looking for little visual odds and ends is an important exercise in visual awareness. It is so easy to walk through such places and not pay a lot of attention, and when you do so while searching for images you see things that you’d otherwise miss. It is also interesting, I think, to “excerpt” small things from their larger context. (This bit of signage, is small enough that you might barely notice it if you took in the whole building at once.) With this one there is also a bit of that odd characteristic of some photographs, where their age — or the age of the subject — becomes somewhat interesting on its own.

So, what is it? It is a bit of a hand-painted street number sign on a very old (and somewhat iconic) building on a street in San Francisco that I often walk on these street photography visits. What else is it? It is color and form, abstracted to some extent from its original context. But not entirely abstracted, since if you look closely you might notice the extremely weathered and cracked paint and you might wonder about the history of this little bit of a sign, especially in an era when one-of-a-kind hand-painted signage is increasingly replaced by industrial signage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.