Tag Archives: warm

Snow Geese in Formation

Snow Geese in Formation
“Snow Geese in Formation” — A group of snow geese in flight and lined up vertically.

Most of these migratory birds will likely have departed from their winter homes in Central California by the time you see this photograph. They arrive in the fall, overwinter, and then depart some time in early March. Back in the pandemic year of 2020 I visited one of the places where I photograph them about one week into March, and they were still there. I went back one week later, and they had all departed. The place seemed awfully lonely!

This group was part of a much larger flock that was in motion above wetland ponds — thousands of birds swirling around as they contemplated where they might land. The light was just right for this group — it came from the side and from down low, illuminating the birds’ undersides. (Often photos of birds overhead end up too dark against the bright sky.) I also like the fact that the five of them together demonstrate every phase of their wing flapping.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Wetland Trees

I made this photograph on New Year’s Day, when we joined friends to photograph and celebrate the first day of 2024. Mostly we photographed birds, but the landscape was never far from our minds. This is a simple photograph of a non-epic scene, but I think that this image of wetland trees has a lot to say about this area and season.

Notice the autumnal colors? In California’s Central Valley, these colors continue right on into winter and even the beginning of the new year. I love the quality of light here, too. The atmosphere in the valley is often a combination of hazy and foggy, producing a soft glow. It also can warm the colors and soften the contrasts of these subjects, producing a kind of quiet beauty that you might not expect here.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Light in the Canyon

Light in the Canyon
Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

Light in the Canyon. © Copyright 2023 G Dan Mitchell.

Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Walls, Light and Dark

Canyon Walls, Light and Dark
Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

Canyon Walls, Light and Dark. © Copyright 2022 G Dan Mitchell.

Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

This is a Death Valley canyon that I have visited on numerous occasions, and this particular narrow bend is one I recall from my first visit. Because the foreground section is so narrow and angled away from the light, the contrast with the more luminous wall beyond is striking. That wall receives more light due to its angle as the canyon bends, and the warm-toned light contrasts with the blue toes in the deeply shaded foreground section.

I find this contrast between shadow and brighter light to be a wonderful generator of color contrasts in these canyons. The first such canyons I photographed were in the desert Southwest, where the light picks up the color of the reddish sandstone. But the canyons of Death Valley do not typically have such colorful rocks, and much of the color potential comes from the quality of the light itself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.