Tag Archives: water

Abandoned Stamp Mill

Abandoned Stamp Mill
“Abandoned Stamp Mill” — An abandoned water-powered stamp mill high in the Panamint Range, Death Valley National Park

It seems that every national park or monument has both a natural and a human hisstory, or perhaps a story about the relationship between the two. While the power of natural forces (heat, water, geology, and more) is abundantly obvious in the huge, austere landscape of Death Valley National Park, the human history of the place is rarely far from view. It begins with the evidence of people who lived here long before European-origin settlers came, evidence that can be seen in rock art scattered throughout the park, in the recognition that many settlements (current and now-abandoned) have a very much longer history than we may think, and in the native people who still occupy and identify with this landscape.

Perhaps more obvious is the more recent history of those who came to look for mining success. (There are places in the park where extraction still takes place.) Some examples are obvious to the casual visitor, but the more time you spend in the back-country of the park the more you understand that this particular history is everywhere — though not usually as obvious as this example. This stamp mill, built to crush gold ore, is amazing in multiple ways. Perched at the end of high ridge in very remote location, it was powered in the most unlikely manner… by water piped in from a spring over twenty miles away. The location is stupendous, and it is easy to think that practical issues may not have been the only considerations in choosing the site. From here one can look down thousands of feet to broad alluvial slopes leading towards Death Valley, but one can also look further into the distance and see the snow-covered peaks of the Sierra Nevada.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Bridal Veil, Ice and Mist

Bridal Veil, Ice and Mist
Bridal Veil fall with winter ice and mist

Bridal Veil, Ice and Mist. Yosemite Valley, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Bridal Veil fall with winter ice and mist

Many photographic subjects in Yosemite Valley are quite dependent on time of day, season, weather conditions, and other variables, some of which are completely beyond the photographer’s control. You simply must, first of all, be there, and then you must try to predict (or know) when the odds are better, be attentive to special conditions, and sometimes be ready to act quickly.

This is not exactly the rarest of conditions, but several pieces had to occur together to produce this scene. First, it had to be winter and it had to be cold — and the latter is less a certainty in California during the past few years. Second, despite the cold, it had to be warm enough somewhere up above to melt sufficient snow to get Bridal Veil Creek flowing at a pretty high rate for this time of year. Third, the light had to come over the lip of the canyon at the top of the wall to illuminate the rising mist but not the fall itself. Finally, if you look closely, you might notice three (somewhat blurry) ravens flying between the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Distant Sierra, Wetlands Dawn

Distant Sierra, Wetlands Dawn
Seen from foggy Central Valley wetlands, dawn comes to the sky above the Sierra Nevada

Distant Sierra, Wetlands Dawn. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Seen from foggy Central Valley wetlands, dawn comes to the sky above the Sierra Nevada

Driving toward this spot in the pre-dawn hours I encountered the usual winter tule fog as soon as I left the main highway for the narrow back roads that criss-cross the agricultural lands. I figured that it would be a foggy morning out in the wetland with the birds once I got to my destination, but instead the fog thinned as I arrived and, to my surprise, I could see the pre-dawn sky. I stopped, quickly set up my camera for bird photography… and immediately began photographing landscapes!

A bit of thin fogged hugged the ground a ways off in the distance. (And later it would glide back in and cover this area to the point that visibility was near zero.) Above the fog, the ponds, and the scattered trees the silhouette of the Sierra crest stretched from north to south. When I looked closely, I could pick out familiar peaks along the distant skyline. A few birds — geese and cranes — began to fly over, and I made this photograph as the sky lit up just before sunrise.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wetland Pond, Reflected Sky

Wetland Pond, Reflected Sky
Late afternoon light on a pond reflecting the winter sky

Wetland Pond, Reflected Sky. Central Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late afternoon light on a pond reflecting the winter sky

I made this photograph during our annual New Year’s Day visit to the migratory birds of California’s Central Valley, something that has become more or less a tradition during the past few years. The idea is to join a few like-minded friends to greet the literal dawn of the new year, and to then spend the day photographing. The only problem with this as a New Year’s Day celebration is that we have to get up at about 3:30 AM, making it somewhat difficult (or at least unwise!) to stay up until midnight the night before.

This time we arrived, as always, very early, and spent the morning working our way around the vicinity trying to figure out where the best locations would be for photographing the birds. The usual schedule has us photographing for a few hours into the late morning, then taking a sort of time out in the middle of the day — often including a nap to compensate for that early wake-up call — and then resuming the wild goose chase at some point in the afternoon. Late in the day we were still trying to decide where we wanted to be for sunset, so we drove a gravel road that took us past this pond on our way to a likely goose roosting spot — and I saw this beautiful reflection of the winter sky along the way.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.