Tag Archives: water

Tufa, Wildfire Smoke, Mono Lake

Tufa, Wildfire Smoke, Mono Lake
Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

Tufa, Wildfire Smoke, Mono Lake. Mono Lake Basin, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tufa formations, the vast expanse of Mono Lake, and smoke covered desert mountains

This nowhere near the first time I have photographed from this location, though it is the first time I have worked with conditions like these. Quite a bit earlier this morning I began to photograph before dawn, quickly realizing that the thickening smoke from a nearby wildfire was blanketing Mono Basin and creating atmospheric effects ranging from very dark sky, to clouds illuminated from behind, to drifting layers. After photographing near the lake I headed to a higher elevation area to the north, photographed there, and then headed back down toward Mono Lake.

As I descended I soon began to enter the fringes of the drifting smoke clouds. Lit from behind, the clouds glowed from within and softened the edges of elements of the landscape. Coming past this spot along the edge of the lake I noticed that some tufa structures formed a near semicircle near the shore, giving a bit of definition to a scene that was otherwise quite soft.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildfire Smoke, Morning Light

Wildfire Smoke, Morning Light
Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

Wildfire Smoke, Morning Light. Mono Lake, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light reflects on the surface of Mono Lake, partially obscured by drifting wildfire smoke

The night before I made this photograph I had driven back to my Lee Vining Canyon camp from a backcountry hike in the Tioga Pass area, leaving the park and descending the steep route after dark. As I crossed the upper end of Lee Vining Canyon, where there is a relatively clear view to the east, I saw the pall of smoke from a developing wildfire and the glow from the flames lighting it from below. Given California’s drought, the late point in the dry season, and the number of other fires in this area, I was quite concerned about what might be happening.

I got up well before dawn the next morning and as I headed down canyon toward Mono Lake there was just a bit of smoke in the air. As I came around the final bend before the junction with US 395, however, I could see that there was a very dark cloud to the southeast and that layers of smoke were starting to drift across the surface of Mono Lake in the pre-dawn light. My first though was a bit of disappointment that the smoke was likely to interfere with my photography plans, but this was quickly replaced by the realization that I was starting to see some very special and unusual conditions as the dawn approached. I found a high place and went to work photographing abstract and soft patterns composed of the reflecting surface of Mono Lake, the drifting smoke bands, and the partially obscured distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Ocean, Light Beams

Pacific Ocean, Light Beams
Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

Pacific Ocean, Light Beams. North of Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

I remain intrigued by ocean horizons, which take on an amazing range of appearances depending on the effects of light and atmosphere. The horizon might be a distinct line, it could be (and was on this day) broken by distant swells and breakers, it fade in fog and mist to the point where it is almost invisible, or it may actually be invisible the obscured by fog or rain.

On this afternoon almost every one of those conditions appeared at one time or another. As rain squalls moved onshore, the view of the water and horizon was periodically blocked, only to be lit by brilliant bands of sunlight moments later as the clouds opened. Late in the afternoon, as the sun lowered toward the horizon, the atmosphere became back-lit and began to glow, especially in spots where the rain was still falling. At times beams of light (“God Light,” to use the common photographic description) came through the clouds, passed though slightly opaque mist and rain, and lit the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Crew Members, Staten Island Ferry

Crew Members, Staten Island Ferry
Two crew members against a railing in morning light on the Staten Island Ferry, New York, City

Crew Members, Staten Island Ferry. New York City. October 7, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two crew members against a railing in morning light on the Staten Island Ferry, New York, City

The photograph is something I grabbed while riding the Staten Island Ferry from Manhattan to the island. It is almost a bit embarrassing to admit this in retrospect, but I made the photograph while the whole family was on the ferry on the way to the wedding of our youngest son. They hired an actual wedding photographer — there were two of them, actually — but, of course, I could not leave my camera behind. I had been making a lot of informal photographs of the wedding party when I saw these two guys against the orange-painted steel of the ferry.

Technically the photograph was a little bit tricky. Not only were parts of the scene in deep shadow, but the two figures were backlit and the sunlight on the urban landscape beyond was extremely bright. I exposed to (barely!) keep a bit of detail in those bright areas, planning to bring the shadow details back in post. Amazingly, it worked! :-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.