Tag Archives: waves

Dunes, Mountains, and Shadows

Dunes, Mountains, and Shadows
Morning light highights the forms of sand dunes and distant desert mountains.

Dunes, Mountains, and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light highights the forms of sand dunes and distant desert mountains.

This photograph was likely made near the end of the morning’s work among the dunes, as the light is just about to become more harsh than what I usually favor with this subject. The camera position, focal length, and direction of the photograph were chosen to include several things: that lovely section of curving dunes with shadows, the fascinating pattern on the nearer dune at the bottom, the muted details of the distant mountains, and as little vegetation as possible.

The photograph was a compositional challenge. While I really wanted to feature the diagonal ripples across the foreground dune, including too much of this ended up dwarfing the more distant landscape. The alignment between the summit of the darker dune and the distant peak and where to place both in the composition was a bit of a question. The photograph is also an example of my inclination to use longer focal lengths with many landscape subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea of Dunes

Sea of Dunes
Sand dune forms extend into teh distance, Death Valley National Park.

Sea of Dunes. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sand dune forms extend into the distance, Death Valley National Park.

From just the right vantage points, the terrain of sand dunes can appear to be entirely devoid of living things. (In truth, no landscape is, but the evidence is hard to see here.) And when looking in the ideal directions, the succession of curving shapes can suggest a sort of frozen seascape full of immense waves.

I made this photograph on a spring morning while exploring a favorite area of these dunes, one that isn’t quite as busy with people trying to get to the highest point. This area is mostly a landscape of parallel ridges and valleys that run toward the center of the dunes, so I tend to approach from the edge and work my way toward the center. The main dune in this scene is a remarkable one — it is long and has a face that is marked by an unusual rippled pattern.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote and Dunes, Morning

Creosote and Dunes, Morning
Morning light on blooming creosote in sand dunes, Death Valley National Park.

Creosote and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on blooming creosote in sand dunes, Death Valley National Park.

On my recent Death Valley National Park visit I had an evening and a morning to photograph these dunes — other than that I stayed mostly in remote parts of the park. My ritual for morning photography here is much the same as it has been for years. I wake up in the pre-dawn darkness, planning to arrive near the dunes as the sky begins to lighten just enough so that I can see my way. I typically depart from a point that is distinctly not the “usual place,” and as a consequence I often have my area of the dunes to myself. After a 20-30 minute walk I arrive at an interesting portion of the dunes before the first direct sun arrives, and I. begin to photograph, continue on past sunrise until the light becomes too harsh.

I made this photograph just moments after the first direct sunlight arrived, light that was somewhat muted by haze and high clouds. The effect was to create very soft and low-contrast light. We tend to think of dunes as being transitory, but they actually tend to change their shape only very slowly, and I’m pretty sure that I have photographed this same little cluster of creosote in the past.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bluffs, Surf, and Haze

Bluffs, Surf, and Haze
Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

Bluffs, Surf, and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thin fog obscures distant views beyond coastal bluffs and waves along the Pacific Coast of California.

The scenes like this one that I photograph, visit and revisit… the more clear is the contrast between their timeless nature and the way we live our lives. This photograph comes from over almost a decade ago — which either feels like a very short time or a very long time right now — but it could have come from virtually any time in the past. There’s nothing obvious in it to link to any particular time.

The scene likely feels familiar to anyone who lives near or visits locations where coastal flatlands run up against the edge of the continent. The sea eventually wins the inevitable battle, and in the process produces a stark contrast between gentle, flat bluffs and the cliffs at their edges, which drop precipitously into the ocean and leave behind sea stacks and small islands. On this evening the sea was rather quiet and a thin fog was beginning to obscure distant views.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.