Tag Archives: waves

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Blue Dunes

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Blue Dunes
Death Valley sand dunes in evening light.

Blue Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Death Valley sand dunes in evening light.

Among the things I have learned — or perhaps relearned with greater certainty — during this time of semi-isolation when we are unable to travel to the places we long to see and photograph is that I often overlook photographs with potential as I focus on the most obvious things and as I rush to move forward to the next project. During the past six-plus weeks I have been digging into archives of raw files that I left behind last year, and I’ve discovered some overlooked images that I now find interesting.

I made this photograph on a spring evening. I had been photographing sunset light on dunes and mountains, and I kept photographing (of course!) after the sun set and the light diminished and softened. I made only a single exposure of this particular view of this subject, perhaps thinking that the presence of a few sand-filled footprints across the dune might “ruin” the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning, Dune Shadows

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Morning, Dune Shadows
Sand dunes with blue-tinted shadows and scattered creosote plants in soft morning light.

Morning, Dune Shadows. © Copyright 2020 G Dan Mitchell – all rights reserved.

Sand dunes with blue-tinted shadows and scattered creosote plants in soft morning light.

As I usually do when photographing here, I arrived very early and began my walk out to a less-busy area of the dunes well before sunrise. The dawn and sunset transitions between night and day move quickly and, of course, present some of the most interesting visual opportunities. I photograph right though these transitional periods, often working quickly to try to take advantage of as many of the transient opportunities as possible.

When I look at this photograph I recall many things from this morning and others like it. The air is still and only hinting at the intense heat that will arrive later. As the first sunlight hits the tops of the dunes there is a striking contrast between the warm colors in the light and the blues in the shadows, where the light comes from the overhead bowl of the blue sky. As sun rises higher the light intensifies and the color gradually becomes less intense, providing new photographic opportunities.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dune Waves

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Dune Waves
Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park

Dune Waves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park.

As photographers, we often take a great deal of photographic license in our creative interpretations of subjects. It is a myth, quite frankly, that some kind of objectively “pure” version of a photograph even exists. And if such a thing did exist, it seems like it would usually be a pretty boring thing for everyone except those using photographs as evidence of a thing. Most of us prefer photographs as a mode of expression, a sharing of the photographer’s way of seeing the world. I like to think that a good photograph or group of photographs tells us more about the person making the images than it tells us about the putative subject.

Sand dune landscapes lend themselves especially well to this way to this approach. While they do have a real geological appeal, when you look at them from an aesthetic perspective they are perhaps less about the fact of sand and more about light, line, weight, form, and color. They are never the same — the light changes, the conditions alter them, and each of us sees them differently. In this interpretation I decided to work in high-key and monochrome, hopefully creating a photograph that reflects the quiet stillness of the static wave forms of the dunes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Morning, Fog, Surf

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Morning, Fog, Surf, Big Sur
“Morning, Fog, Surf” — Bright morning light illuminates fog along the Big Sur coast as storm wave run up against the cliffs

The fog in this photograph doesn’t come from the usual source. Typically, along this section of California’s Big Sur coastline, fog rolls in from the ocean in big, fluffy, low-level clouds. That fog is a dark, damp, gray thing, and — with the exception of the moments while it is clearing — it generally does not let in much light. The “fog” in this photograph, which might more accurately be called mist or spray, comes from gigantic waves from a winter storm breaking along the coast in windy conditions. The waves produced this mist on this day of surf up to 40 feet high.

The photograph could also serve as an example of looking away from the most obvious thing. The location is at or just before a very popular and iconic stopping place along the Coast Highway in the Big Sur region. In fact, many people making a quick trip down from the north choose this spot as their turn-around point. I stopped a bit before the throng and pointed my lens in a different direction, down toward a familiar beach lying at the base of huge shoreline cliffs. The beach isn’t visible — the giant waves were so strong that they ran all the way up to the base of the cliff. I decided on a high key interpretation of this scene in order to reveal the glowing backlight slanting across the cliff from above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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