Tag Archives: weathered

Welcome to Oz

Welcome to Oz
“Welcome to Oz” — Street scene near Il Mago di Oz, and eccentric shop in the Italian town of Orvieto.

We’re back (figuratively) in the Italian hill town of Orvieto again for this photograph. The title comes from the sigh behind the white metal bench, and it refers to a nearby shop that I’ve shared in a previous photograph. The shop (“Il Mago di Oz”) is a strange and fantastical collection of, well, just about anything its proprietor thinks fits the theme.

Besides its connection to Land of Oz, the photograph includes features that are common on backstreets in Italian towns like this one. The building is weathered in an attractive way, it sits directly on the edge of the narrow street paved with stones, there are plants, and the light is softened in the shadows of buildings along the passageway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Windows, Florence

Three Windows, Florence
Three windows with green shutters on a weathered wall in Florence, Italy

Three Windows, Florence. © Copyright 2023 G Dan Mitchell.

Three windows with green shutters on a weathered wall in Florence, Italy

This is one of the most prevalent color combinations we saw in Italian towns this past summer — the variations on golden-brown (which can range from essentially tan to dark brown) and the green shutters. I’m sure that not all of the shutters are actually green, but on some days it seemed so. And while I’m listing the typical things, the distressed wall surface needs to be included, as that is very common, too.

The three windows were on a nondescript building in Florence, on a side street a ways away from the bustling center of the touristy historic district. Here the streets were almost empty, and we wandered slowly among buildings, a small park, and portions of a university campus. I like the combination of the symmetry of the three windows with the distances of the open window at the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tree and Wall

Tree and Wall
A tree grows against a textured and weathered wall in Orvieto, Italy.

Tree and Wall. © Copyright 2023 G Dan Mitchell.

A tree grows against a textured and weathered wall in Orvieto, Italy.

Although I don’t think of myself as _just_ a “nature photographer,” my roots are in that sort of photography. Even when I’m focused more on street photography or travel photography, I am still drawn to nature subjects. In fact, sometimes I find them almost more compelling set against the urban landscape — partly because seeing them there reaffirms their significance to us a humans and partly because of how these things relate to that urban world.

I photographed this tree in Orvieto, Italy. While the tree is “natural,” its setting is anything but. It grows right up against this weathered and distressed wall in a narrow walkway between tall buildings. Direct sunlight only penetrates do the bottom of this urban canyon briefly, and the rest of the time the scene is in shade. (As with so many of these cityscapes of narrow streets, I am reminded of photographing in the red rock canyons of the American Southwest.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Perpendicular

Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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