Tag Archives: window

Reflections, Chicago

Reflections, Chicago
Reflections, Chicago

Reflections, Chicago. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections on Chicago downtown building windows

Once you start looking at the windows of modern urban towers, you begin to see them in a very different way. Instead of seeming like isolated structures or merely individual architectural forms, they start to relate to their surroundings and to take on changing and whimsical qualities. I first noticed this on my many trips up to San Francisco to photograph in the downtown area, where I became more and more aware of the reflections and the ways that light plays across the buildings and reflects down to the street level from their glass surfaces.

This was a handheld “grab” from the boat on the Chicago architecture cruise we took early one morning. In a way I wish that I had carried a longer lens so that I could have isolated the wild reflections on either the right or the left side, but since I couldn’t I instead decided to go ahead and split them with the section of reflected blue sky.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building Reflections

Building Reflections
Building Reflections

Building Reflections. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections in windows of Chicago downtown towers

As I have mentioned in earlier Chicago posts, I like the way that Chicago’s more open urban design provides more opportunities to clearly see the many tall buildings, allow more light to get deeper down into the space, and makes the interactions between the buildings more visible. As with many of the others, I made this photograph from the Chicago River while on the architectural boat tour of the downtown area. This tour offers views of many, many of the downtown towers and other subjects, though it can be a bit tricky to photograph them — they do move past quickly and it is pretty much necessary to shoot handheld.

If I recall correctly (without taking the time to review the sequence of my raw files), I made this photograph somewhere along the south branch of the river, where there was a momentary juxtaposition of the lower building with its visible exterior framing and the much larger glass-encased building with its curving surface on the left side. If you look closely at the photograph you will notice that very little of what you see is the actual structure of buildings, aside from that external skeleton in the lower building and the narrow frames of the windows on the higher one. Virtually everything else in the photograph of the builds is arguably not the buildings but instead is some sort of distorted reflection of its surroundings.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Warehouse Wall

Warehouse Wall
Warehouse Wall

Warehouse Wall. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Warehouse wall, door, and window on a San Francisco pier

Photographed on one of my morning walks around portions of downtown San Francisco, this is a scene from one of the piers along the San Francisco Bay waterfront. I had made a looping walk from the Caltrain station over around portions of China Basin, eventually making my way to the old waterfront area where I photograph dilapidated piers that are decaying and falling into the Bay. Finishing with that subject, I started back along the waterfront and soon came to the entrance to this very large and active pier, and I decided to wander out onto it since there was a marked pedestrian walkway.

The first section of the pier has a roadway up the center, and it is lined with warehouse structures with loading docks and garage doors. The scene is spare and industrial, and the light was coming across the structures from the side and highlighting details and textures. Here I like the disembodied shapes of the window and roll-up door.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.