Late afternoon shadows cast by a stairway cross a beige stucco and wooden wall.
This is another in the wandering about with only a 50mm prime series shot on Christmas eve afternoon. I have photographed this wall and stairway before, but here the strong diagonal lines of the shadows from the stairs cut across the horizontals and verticals in the image and almost seem disorienting to me. I swore that the lines in the photo were tilted until I checked them against an on-screen grid – and they still look out of kilter to me even though I know they are not.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Black and white photograph of the interior of a donut shop late in the afternoon on Christmas Eve.
As in many photographs like this, I hope that there may be more to it than meets the eye. I won’t tell the whole story, but here is a bit of background. I had been involved in an online discussion of the merits of shooting “old school” street photography using primes, and specifically limiting oneself to a 50mm prime on a 35mm film camera. Though it isn’t the point of my post here, I’ll just say that I’m skeptical about the value of that sort of limitation given a whole bunch of boring photographic philosophy. In any case, as an outgrowth of that discussion I thought it would be fun to head out on foot armed only with my full-frame camera (sorry, no film camera at all these days!) and a 50mm prime and just see what I could come up with. So, I walked out my front door and did some photography.
It was late in the afternoon on Christmas Eve, so few businesses were still open, and it was late enough in the day that the last-minute shopping traffic was diminishing and things were becoming rather quiet. Few people were even out walking. I mostly walked but I also photographed some shop windows and buildings and so forth, and when I passed this tiny donut shop I first did an exterior shot of the closed business that included a weathered wooden and brick wall and some sad-looking holiday lights. Then as I passed the front of the shop I decided to put my nose against the window and peer inside. The low light from the late-afternoon sun was directly behind me and casting some very harsh and flat light into the interior, but I was intrigued by the arrangement and shapes of the tables and chairs, the shadow cast by the Christmas ornaments hanging in the window, and by the odd juxtaposition of a poster of the work of a certain photographer that is barely visible on the wall.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Night black and white photograph of windows, corrugated metal, and shadows on the front of Building 101, Mare Island Naval Shipyard, Vallejo, California.
This photograph shows details of the facade of Building 101 at the historic Mare Island Naval Ship Yard near Vallejo, California – mainly the large window at the lower left of the front of the building, but also including some shadows cast by various items attached to the building an nearby that caught the light from nearby security lights.
After looking at the gaudy coloration from the artificial lighting on this building I thought it might be interesting – or a relief! – to try a black and white version of the close-up view.
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
A group of nocturnal raccoons emerges from beneath a brick wall with boarded up windows and doors at Mare Island Naval Shipyard, Vallejo, California.
I’ll have to admit that wildlife photography was more or less the furthest thing from my mind when I was shooting this scene of an artificially lit weathered brick wall in the core of the historic Mare Island Naval Ship Yard near the end of August. The thing that interested me in this shot was the shape of the pipe attached to the outer wall of this building against the bricks, along with the way it snaked between various windows and doors. So I set up the tripod and made a couple exposures. While making the second one I suddenly thought I saw something move – which seemed completely unexpected. Although it was much darker that it appears in this shot, I eventually saw a furry shape emerging from a gap between the sidewalk and the building… and then another…and another. Eventually there may have been as many as a half dozen raccoons in this little cluster of critters.
It may be hard to see them in this reduced size version of the photograph, but they are the small fuzzy area near the lower right below the valve on the wall. On the full size image it is possible to make out a few paws and the vague outline of their faces.
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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