Tag Archives: yellow

Sierra Stream, Aspen Color

Sierra Stream, Aspen Color
“Sierra Stream, Aspen Color” — An Eastern Sierra Nevada stream lined with autumn aspen trees.

I photographed this scene on my recent trip to the Eastern Sierra Nevada to photograph autumn color. Though they are not the only source of fall color — look closely to see others in the photo — the aspen trees are the stars of the show. I arrived at just about the right moment, as there were lots of very colorful trees. But the trip was cut short when extremely strong winds arrived, bringing down many of the peak color leaves. I made this photograph after waiting patiently for a lull between the gusts!

Since this is my first 2025 fall color photo I will add a brief general update. (You can find more detailed information about Sierra fall color here.) While you can find aspen color, mostly on the eastern side of the range, from late September into the third week of October or so, the peak color tends to be during the first two weeks of the month. It generally works its way from high elevations to lower elevations and to some extent from north to south during this period. Although there is good color this year — better than average in my view — the weather is creating some challenges. The wind event I experience was one. Wind strips the most colorful leaves from the aspen trees, but the color ofter comes back a few days later as green trees transition. However, the forecast is for a somewhat unusual early-season winter-like storm this coming Monday through Wednesday, and the current prediction is for more than a foot of snow down to 7000′ or lower — which will likely close a number of the trans-Sierra passes.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Creek Bed, Autumn Leaves

Creekbed, Autumn Leaves
“Creek Bed, Autumn Leaves” — Autumn leaves scattered on the sand of a creek bed, Zion National Park.

Photographing desert canyon streambeds like this one in Zion National Park is rewarding in so many ways. They are little laboratories in composition, texture, alight, and color, with nearly infinite variations. Water, whether by the current flow or the aftereffects of its passage, produces all sorts of fascinating patterns. It rearranges, moves, and sometimes collects whatever is loose — in this case autumn leaves. The light can be magnificent, soft and colorful. In ideal conditions it reflects back and forth between red rock canyon walls before softly and warmly bathing the canyon depths.

Beyond all of that photographic stuff, canyons are just fascinating places to be. The walls cut off the outside world, and your horizons are measured in feet. It is usually very quiet, with the exception of a bit of breeze, the sounds of water, and sometimes a bird song. When I visit them I wander slowly, taking it all in.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

A Lisbon Street

A Lisbon Street
“A Lisbon Street” — A narrow, curving street in Alfama, lined with colorful buildings.

From my limited experience, this feels like a “typical” street of Lisbon’s Alfama district… except that the street is wider than many of the passageways. The lines suggest that it is two lanes wide — though I imagine that when a trolley goes up and down those tracks there isn’t a lot of room for anyone else!

There is a lot in this scene that attracted my attention. The street itself with its pairs of tracks and optimistic center dividing line is one. The stacked and tightly spaced buildings are another. And I love the saturated colors, from the nearly pure white to the many yellow buildings, and the bits of blue here and there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Alfama Street Art

Alfama Street Art
“Alfama Street Art” — Detail of street art on a wall in the Alfama district of Lisbon.

This detail of a bit of Portuguese street art comes from the Alfama district of Lisbon. This is the oldest neighborhood of the city, with tightly spaced buildings and streets so narrow and twisting that vehicles cannot pass. It was (and reputedly still is) a neighborhood where the poor are more likely to live — though one can see a creeping urbanization occurring around the edges.

I don’t generally photograph graffiti — the “I am here” initials and other personal marks made in public spaces. But there’s a fine line between that and what I think of as street art. I will photograph the latter. Here the imagery covers of a mundane wall — look closely and you can make it out beneath the paint — and uses wildly exuberant patterns and colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

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(All media © Copyright G Dan Mitchell and others.)