Images

St. Pierre Cathedral, Autumn Tree

St. Pierre Cathedral, Autumn Tree, Montpellier
“St. Pierre Cathedral, Autumn Tree” — A nearly bare autumn tree in front of the St. Pierre Cathedral, Montpellier, France.

This is another photograph from our walk past the impressive St. Pierre Cathedral in Montpellier, France when we visited this past December. Our walk first took us the monumental south end of the cathedral, an imposing structure with two gigantic columns supporting an exterior arch. From there we continued around the east side, where it was still mostly quiet. Rounding the north end, we saw much more vegetation, including this tree with the last few autumn leaves.

I decided to go with a monochromatic interpretation of this photo of a detail of the north end of the cathedral. The main challenge was in how to make the leaves more visible, but we do have more leeway in post with black and white. Here I essentially applied a filter (as we used to do at the time of exposure) to brighten the tones of the leaves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Plants in the Canyon

Plants in the Canyon, Death Valley
“Plants in the Canyon” — A desert holly plant manages to survive on a gravel wash deep in a Death Valley canyon.

Winter is my favorite time to explore Death Valley. Occasional weather fronts pass by, producing interesting clouds and some precipitation. The temperatures are far more comfortable, and it can even be cold in the mountains. I usually time my visits for December or January, though I’ll visit as late as the beginning of April, by which time it is noticeably heating up. This year I went at the end of February, and I was pleased to run into fewer people than usual.

I drove out to this remote canyon in the middle of the day, then loaded up the pack and walked a few miles into it. I think I saw only two other small groups the entire time. The route passed through some wonderful canyon narrows, and I paused to photograph them going in and then again coming back out. I paused here because the canyon itself was interesting but also because of the green desert holly plant growing in the gravel of the wash.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Yellow Tulip Bud #2

Yellow Tulip Bud #2
“Yellow Tulip Bud #2” — A yellow tulip bud on the verge of blossoming.

This may seem like an odd admission, but the way I make these flower photographs has more in common with how I do street photography than, say, landscape photography. Because the subject appears to be still, you could think that I probably carefully pick a flower, set up a tripod, analyze the light, focus, and then make the photograph. The reality is that I shoot all of these with a small handheld camera, and I rarely spend more than a minute on a flower and often less.

I think part of this is because I have a general sense of what I’m looking for beforehand. As seen here, I’m on the lookout for a flower (or flowers) with an interesting shape, a relatively flawless form, good light, and a background with some potential. I spend a lot of time looking for the right combination, and when I find it I spend less time actually making the photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Ride the Tiger

Ride the Tiger, a carousel in Paris at Night
“Ride the Tiger” — A woman taking a ride on a Paris carousel at night.

Last December we were out for a cold afternoon and evening walk in Paris, and on our way back towards our hotel we passed a carousel set up in a square near shops and other upscale amenities, apparently as part of holiday season events. I could not resist making a few photographs of the merry-go-round and its patrons.

Most of my night photographs are as sharply focused as the images I create in the daytime. But sometimes I like to take advantage of the low light levels and play with longer handheld exposures that incorporate motion blur. In cases like this one the blur better suggests the motion in the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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