Images

Window and Wall in Summer Light

Window and Wall in Summer Light
High summer light falls across the walls of a building with white window frames.

Window and Wall in Summer Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

High summer light falls across the walls of a building with white window frames.

There are still more of the pandemic photographs — the “postcards from pandemia” — that I have made from time to time since our world changed back in March of 2020. During that time I did a lot of urban walking in a several mile radius of my home, and I always carry a camera when I walk. On many walks the camera remained in my bag, but every so often some element of this area would catch my attention and the camera would come out, I’d make a few exposures, and then I’d continue walking.

I’m now not quite certain where this subject is, exactly. The style of construction is common in older neighborhoods around here. One thing that appeals to me about a photograph like this one is that it can be about many different things. On one hand it is a visual record of the urban architecture of a certain time and place. But it also, to me at least, also a little study in composition and forms, mainly rectangles. It also is a kind of minimalism, consisting of really only three colors — the dark windows, the blue wall, and the white window frame. There are two slightly mysterious elements that create visual dissonance for me. One is the diagonal shadow — really the only line in the scene that isn’t a perfect vertical or horizontal — that comes from some unknown and unseen source outside the frame. Another is that slightly dark and mysterious shaded area near the upper left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Conifers, Autumn

Aspens and Conifers, Autumn
Aspen and conifer trees grow up the slopes of an Eastern Sierra Nevada valley.

Aspens and Conifers, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

Aspen and conifer trees grow up the slopes of an Eastern Sierra Nevada valley.

If you look closely you may find aspens in just about every state of autumn color transition — nearly bare trees, brightly colored yellow and orange trees, and a few that are early in their transition or even still entirely green. This is a reminder that when you visit the Eastern Sierra aspens in the fall, if the color isn’t what you were looking for in one spot there is a good chance that you can find color by moving north or south or heading to a different elevation. While you take that close look, also notice some taller trees (a bit tricky to find) that are entirely bare but surrounded by smaller, very healthy aspens. When aspens are disrupted by fire or other problems, new growth frequently springs up from their extensive root systems, sometimes in weeks, and before too many years those trees engulf the old snags.

The view here encompasses terrain that rises from sagebrush highlands in the Eastern Sierra toward conifer forests at higher elevations. Aspens often grow in this sage country, in places as essentially the only large trees. Here we’re right at the lower boundary of the conifers, beginning with the single large specimen in the center of the frame, with a larger grove halfway up the slope, and hints of much larger forested areas near the top margin.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Aspens, Ridge and Haze

Autumn Aspens, Ridge and Haze
Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Autumn Aspens, Ridge and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Necessity, as they say, is the mother of invention —or at least a trigger to try something different that what I would usually be doing with a subject like this one. The subject is, of course, “fall color” from the Eastern Sierra Nevada aspens. The challenge at times on this visit to the area was the wildfire smoke was obscuring a lot of the landscape and muting and altering the colors. Late-summer and autumn wildfire smoke has long been a seasonal feature in and around the Sierra Nevada, but the situation has become much worse in recent years. The fires a larger and they last longer, with the end result being a whole lot of smoke in the air.

So, what to do? There are almost always ways to shoot around such challenges. One is to forego the large landscape and shoot more intimate subjects — perhaps focus on one grove, one tree, or even one leaf rather than on the grove in the larger landscape. Another is to embrace the smoky conditions and try to find a way to make aesthetically compelling photographs of that subject. Another option is to move to monochrome. The smoke that looks brown and ugly in color can merely look like interesting haze in black and white. Of course, this leaves us with another challenge when the subject is fall… color. But we photographed autumn in black and white in the past. We can still do that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orange, Green, and Yellow

Orange, Green, and Yellow
Diverse colors of autumn aspen foliage in the Eastern Sierra Nevada.

Orange, Green, and Yellow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Diverse colors of autumn aspen foliage in the Eastern Sierra Nevada.

Although I have been chasing after autumn aspen color in the Eastern Sierra Nevada for several decades, I still find places that are new to me almost every year. This particular location is one that I had noticed from a distance some time ago — a place where I saw aspen groves draped across distant hills near the base of the eastern escarpment of the range. At first I presumed that the location was inaccessible since I knew that one could access nearby areas, suggesting that there would not be additional means of access to this spot. But eventually a bit of exploration led me right to it.

The first time or two I visited it was clear that there were, indeed, a lot of aspen trees here. It was equally clear that the timing of the color change and some of the elements affecting the light potential would be challenging. I returned several times, learning more about the area but generally not hitting it at quite the right time of season or of day. On a recent trip several things fell into place — the weather softened the light a bit and the colors were just beginning to peak along the edges of the large groves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.