Images

Dunes, Sandstorm, and Mountains

Dunes, Sandstorm, and Mountains
A Death Valley sandstorm builds above sand dunes, obscuring distant desert mountains.

Dunes, Sandstorm, and Mountains. © Copyright 2013 G Dan Mitchell – all rights reserved.

A Death Valley sandstorm builds above sand dunes, obscuring distant desert mountains.

Once again I am discovering how many promising photographs get left behind when I first assess them shortly after making the photographs… and how valuable it is to revisit the original files later on. I typically do a year-end review of the previous year’s raw files, but even then I miss a few. So I suppose that there is at least one good thing to come from the limits on photography in the pandemic era — the extra time available to go back and take a look at the old files with new eyes.

For the past week or two I have been digging into photographs from the late winter and early spring of 2013. These images include Death Valley photographs from that year’s annual visit to the park. On this day the ubiquitous Death Valley winds had risen, and a sandstorm was developing above the upper valley, blowing sand and dust southward toward these dunes. The wind was gusty, and rather than filling the atmosphere with uniform haze, tall clouds of dust and sand rose high into the sky as they traversed the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Abandoned

Abandoned
Abandoned vehicles at a desert mining site.

Abandoned. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abandoned vehicles at a desert mining site.

When you travel even a bit in the desert landscape (at least the California version that I know) you will come across evidence that you are not the first visitor. The original residents left behind fragile, compelling, and sometimes beautiful evidence in the form of rock art. (Treat them with respect, leave them as you found them, and don’t share their locations.) Later immigrants left traces that seem less attuned to the nature of the place. But over time, as they weather and degrade, they start to almost seem to be part of the landscape, and they make us pause and imagine coming to such a place to live and work. (Surprisingly, perhaps, some of these sites are only decades old.)

A bit of exploration in Death Valley National Park reveals many examples. Some, like this one, are not hard to find, and they may feel like intrusions in the landscape. Others are more remote and sometimes not immediately obvious. One of the most powerful experiences I had in this landscape came on my first visit years ago, when I wandered up a large fan and sat on a rock to rest. I happened to look down and notice one stone among the others — one that had been shaped for a purpose many years ago. I picked it up, turned it over in my hands, and tried to imagine the life of the person whose hands had shaped it. I put it back where I found it and returned to camp.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Look

Look
A “LOOK” sign at a light rail crossing.

Look. © Copyright 2020 G Dan Mitchell – all rights reserved.

A “LOOK” sign at a light rail crossing.

It seems to me that few photographers are able to resist at least occasionally photographing signs that catch their attention. (Not everyone will admit to it though!) I’m pretty sure I recall that my father collected them, and I’ve done it fitfully for decades. (Many years ago I was an avid cyclist, and I always used to get a laugh out fo a sign that I passed on one of my routes. It simply announced: “1/4 MILE AHEAD.”) Signs can be graphically interesting, funny or ironic depending on where they are found, or even useful for certain non-photographic purposes.

I had been looking (ironic, yes?) at this sign for months as I passed it along one of my pandemic routes for daily walks. For at least the previous month I had thought about photographing it each time I passed… but I didn’t do so. Most of the time I just didn’t bother, but the one previous time I did try there was an issue with the light. But finally the sign was in shade and I captured it. And it IS a good reminder to always look, especially if you are a photographer!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Sandstorm, Distant Mountains

Dunes, Sandstorm, Distant Mountains
Distant mountains are barely visible beyond sandstorm clouds and desert dunes.

Dunes, Sandstorm, Distant Mountains. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant mountains are barely visible beyond sandstorm clouds and desert dunes.

This was not the most intense sandstorm I have experienced and photographed — I have some interesting stories about those! — but it was a pretty good one. Driving down the east side of Death Valley near the turnoff to Beatty, the winds were whipping up dust and sand to the west over the valley, blotting out the view of the great flats beyond the dunes and almost obscuring the more distant Cottonwood mountains.

I employed some of my typical strategies for photography in sandstorm conditions. While I will, on occasion, venture into the thick of the storm, dealing with the winds and blowing dust while trying to make photographs is something that you mostly want to avoid. (Going against that imperative can sometimes produce good photography, but it can also destroy equipment. Be careful!) Here I worked from the fringe of the strong winds and blowing sand, photographing into and across the maelstrom with a very long lens.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.