Images

Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Unfun

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Unfun
Weathered wall with graffiti, Amsterdam

Unfun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered wall with graffiti, Amsterdam

For the most part I don’t photograph graffiti, and on the rare occasions when I do in the US I may alter the painted “tags” in post in order to avoid giving publicity to folks who, it may be argued, are basically vandalizing the property of others. I’m also sometimes a bit uneasy, when the marks transcend mere graffiti and become street art, about simply capturing an image of someone else’s art and presenting it as my own.

But sometimes I can’t help myself. In fact, on our 2018 European travels we encountered so much graffiti that it would almost be dishonest to pretend that it isn’t part of the urban landscape. (Especially in Berlin. Very much especially in Berlin…) This little example comes from Amsterdam, and I appreciated several things about it. I was intrigued to see that it was mostly constrained to the blocks or rectangular material on the right side of the frame and mostly not on the bricks — almost as if these were somewhat well-mannered graffiti artists. The juxtaposition of shapes and colors interested me in its own right. And then there is that enigmatic “UNFUN” inscription in a somewhat neat sans-serif font, contrasting with the other colorful scrawls on this wall.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Talus, Reflection

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Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Netherlands, Photographs: Travel, Photographs: Urban/Street

Bicycles and Canal, Rainy Evening

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Bicycles and Canal, Rainy Evening
Bicycles locked to a bridge railing above an Amsterdam canal on a rainy evening

Bicycles and Canal, Rainy Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bicycles locked to a bridge railing above an Amsterdam canal on a rainy evening

If I remember correctly — and I’m pretty sure I do in this case — I made this photograph late on our first day in Amsterdam this past summer. We had arrived by train from London that afternoon, made our way to our hotel just outside the main “downtown” section of the city, settled in, and then headed on foot into the city to start exploring. For some reason I had expected sunny and somewhat warm weather — which had recently been the trend in northern Europe — but we certainly did not have that when we arrived!

This first late afternoon exploration was quick. It began with a stop at just about the first decent-looking restaurant we ran across, since we were pretty hungry by this point. We finished, went outside, and began walking. It was a dark and drizzly evening, which produced a subdued and moody effect. I made this photograph — obviously! — as we walked on a bridge across one of the canals, finding bicycles leaning against the railings.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: People, Photographs: Photographers, Photographs: Sierra Nevada

Photographer Scot Miller

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Photographer Scot Miller
Photographer Scot Miller looking for the next photograph in the Eastern Sierra Nevada

Photographer Scot Miller. © Copyright 2018 G Dan Mitchell – all rights reserved.

Photographer Scot Miller looking for the next photograph in the Eastern Sierra Nevada

Scot is one of a group of photographers I photograph with in the Sierra just about every summer. Our habit is to make our way into a suitable backcountry location (hiking, with pack animal support), set up a base camp, and then photograph the heck out of the surrounding area for a week or more. These trips are a pleasure and very productive for a range of reasons. By staying in one place for a time we have the opportunity to really get to know the terrain and light — we can discover a subject and then revisit it to improve our vision of this subject or to work with it in different light or conditions. And because we remain in a base camp and hike out each day to make photographs, our focus can be entirely on photography — unlike on pack trips when daily travel can reduce the opportunities for photography to mostly morning and evening.

Most to the time we photograph individually — making a photograph in these conditions and of these subjects is, for most people, a solitary activity. Each of us follows his own intuition and experience to investigate and photograph. Yet, we aren’t truly alone. Each day we spend hours as a group in camp during those midday hours when the photography is usually not as appealing. And when we are out making photographs it isn’t unusual at all to run into one another. That’s pretty much what happened here. Scot and I found ourselves in the same area, then went different directions, but not before I made a photograph of him looking over the nearby terrain.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Facebook | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.