Images

2024: Favorite Photos

For various reasons it took me a long time to commit to a set of favorite photographs of 2024. I chose the title of this list carefully, as I do every year. Note that it is not “Best Photgraphs” or “My 15 Favorite Photographs” or similar — it is just Favorite Photographs of 2024. Why is that? These are, indeed, among my “favorite” photograph from 2024, but I can’t say for sure that they are the favorite, much less that they are my “best” of the year.

Making this annual list is both a pleasure and a big challenge. The pleasure comes from reviewing hundreds of photographs and, in the process, both rediscovering some of them and reliving the experiences behind making them. The challenge? There are several. The first is that it is very hard to winnow them down to a manageable number. I probably stared with nearly 100, made a quick cut to half that many, labored to make the next 50% cut, and finally got the number down to the 15 you see here. (My target was a dozen, but now that I’m eight months late… it was time to just put them out there!)

The photographs include several themes in my photography: The Sierra Nevada, travel and street photography, the desert and ocean, wildlife and nature. To qualify as a “2024 Favorite” the photographs had to have first been publicly shared in that year. First up is a display of the whole set, followed further down that page with larger individual files with a bit more information. (Clicking on the larger photographs opens their original posts in new tabs.)

2024: Favore Photographs — G Dan Mitchell
2024: Favore Photographs — G Dan Mitchell

View larger versions of the individual photographs below. Click on any of them to visit the original posts, which include additional background information.

Continue reading 2024: Favorite Photos

Tioga Crest, Evening

Tioga Crest, Evening
“Tioga Crest, Evening” — Tioga Crest in sunset light, reflected in a small pond.

This ridge lies a bit east of the actual Sierra Nevada Crest, just outside of Yosemite National Park’s eastern boundary. The peaks along the park boundary are magnificent examples of the rugged, rocky landscape that characterizes the highest parts of the range. But the ridge in this photograph is different. Despite being over 11,000′ high, on its western side it looks like… a really big hill, with little of the rocky, rugged alpine quality that we expect from these high mountains.

After my early backcountry dinner (as usual, eaten from the bag into which I had poured the cup of boiling water), I headed out for my evening photography. As the last sunlight left the lake where we camped I looked to distant high points where that warm light still shone. Here I lined up the peak with its reflection in a small pond only steps from my campsite.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Window with Wrought Iron

Window with Wrought Iron
“Window with Wrought Iron” — Wroght iron casts a shadow below a window in Casals de Loivos, Portugal.

I photographed this window on the morning we departed Casals de Loivos on the final day of our one-week walk in the hills and vineyards of Portugal’s Douro Valley region. We took a brief walk thought this small village before walking the steep trail downhill to Pinhão, where this segment of our trip would end.

Our arrival in Casals de Loivos was a spectacular conclusion to the walk. We stayed at an inn with a terrace overlooking the Douro Valley and the winding Douro River far below. This window, with its wrought iron grate and fascinating shadows seems to me to capture one of the kinds of light we saw here — bright, brilliant, high angle light that somehow manages to not be harsh despite being intense.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Trees, Meadow and Path

Trees, Meadow and Path
“Trees, Meadow and Path” — A wilderness path leads past a small creek, meadow, and trees to the shoreline of a subalpine Sierra Nevada lake.

In late July I headed into the Sierra Nevada backcountry on a short backpack trip with a group of friends. The trip was special, as I first backpacked with some of them decades ago. It had been quite a while since I went into the wilderness with this gang — so it was something of a reunion. Of course, being the only photographer on the trip meant that I did end up spending some time alone, especially in the early mornings.

Why is that? Well, apparently normal people do not climb out of their sleeping bags when it is still cold and dark outside, and then head out carrying photography gear to look for composition in the pre-dawn light. I hear that most o them, in fact, stay in their sleeping bags, waiting for the sun to warm their tents! I spent a couple of early hours wandering this alpine landscape, making this photograph before the direct sunlight had yet arrived here.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.