Images

Photographs: Northern California, Photographs: Urban/Street

James Grain Co.

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James Grain Co., San Jose
“James Grain Co.” — The worn facade of a repurposed old light industrial building, San Jose.

I am a fan of these old industrial buildings with the corrugated metal walls. I see them all over California in older areas including military bases, factories, agriculture facilities, and more. Most seem to date to a least the mid-20th Century. Some are still in use, by original or successor occupants, while quite a few appear to be abandoned. This is one of many that I pass on long walks.

I’m fascinated by what old surfaces record, from streets in Europe where street art is constantly wearing out and being overlaid with new work, to old buildings that often give hints about their former use. From the looks of it, “James Grain Co,” may have come along a bit later than “Purina Chows,” and who knows what the words say below that. A close look also reveals some fascinating coloration from old paint and decay, ranging from blues to yellow/orange to red.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Europe, Photographs: France, Photographs: Travel, Photographs: Urban/Street

Walking Couple

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Walking Couple, Montpellier
“Walking Couple” — A couple walks up a narrow, curving street in Montpellier, France.

As the end of our December visit to Montpellier approached, we took a walk through some areas that we had missed the previous days — a walk that took us to the train station, then through a sort of light industrial area, and finally back up into the old central city. Here the streets are often very narrow and lined the tall buildings — and not much light penetrates all the way to the street level.

I grabbed this shot of a couple pushing a stroller up this narrow, curving street. In addition to the usual appeal of the street designed for walking rather than driving, the way the street curved and the increased glow of light at the curve attracted my attention. The unusual pattern of the paving also directs the eye toward the curve and, in this case, the two people.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Organic Landscape

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Organic Landscape, Death Valley
“Organic Landscape” — Erosion patterns in a desert landscape, Death Valley.

Believe it or not, I am getting to the end of the photographs I made on this year’s winter visit to Death Valley National Park. I go every year during the cool months, sometimes more than once. When I returned at the end ofFebruary I wasn’t sure if I had gotten many keepers, but since then I have managed to find more than a few. This is a typical situation — I often don’t immediately see the potential in image files, and it takes a while to get to know them.

This photograph includes a small section with details of a portion of Death Valley “badlands” terrain. I photographed it in the early morning, before the direct sunlight arrived. The soft light and the curving shapes remind me of forms we see in living things, hence the “organic” title.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Nature

Green and Yellow Tulip

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Green and Yellow Tulip
“Green and Yellow Tulip” — A yellow tulip begins to open, wiht some of its green bud color intact.

Yes, another tulip! I made a lot of tulip photographs on our early-spring visit to the garden of a historic estate on the San Francisco Peninsula. I won’t share all of them, but I will continue to gradually release a set that includes different colors, settings, and states of development.

As I have previously mentioned, I particularly enjoy the appearance of the buds before they fully blossom, and I rarely photograph them once they are mature flowers. This one takes me about as close to that final stage as I can go and still claim that it is (sort of) a bud. This specimen is right on the edge of blooming fully, and we can almost see it opening up. A bit of the bud’s green color is retained, but the yellow of the flower predominates.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)