A trip to the Big Sur coast last week got me thinking again about the photographic possibilities of that area, and about the fact that I need to photograph there more often! I’ve visited this coast since I was a child, and perhaps because it is so familiar to me I tend to overlook it, even though it is close enough that I can be there and back in less than a day.
In addition to my more recent visit, I was there much earlier this year, back in winter when we visited in late January. So, thinking about Big Sur this week, it seemed like a good time to start going back through those older photographs to see what emerged. (While I often share some photographs immediately after shooting a subject, I also like to revisit the images months or even a year or more later, when I think I can see them more clearly for what they are sometimes.) As I looked at these older photographs they seemed to me to have potential as monochrome images, and I ended up interpreting several of them that way. This photograph was made in the morning, and from a fairly iconic overlook in the upper section of the Big Sur coast, where ridge after ridge descends to the shores of the Pacific Ocean.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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