All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Hand to Heart

Hand to Heart
A man on a cell phone outside a coffee shop with holiday decorations

Hand to Heart. Brooklyn, New York. December 24. 2015. Copyright 2015 G Dan Mitchell – all rights reserved.

A man on a cell phone outside a coffee shop with holiday decorations

I made this photograph on Christmas Eve day, 2015 in Brooklyn, when we went out to find coffee in the morning. If I recall correctly, we ended up at this Starbucks — though it is possible that we might have just walked past here on the way to another place. The man was probably not the main subject. The wild patterns in the windows were what first caught my attention.

Initially I thought of the photograph as a color image, but the more I looked at it the more the various holiday colors began to distract from the pattern itself, so I decided to go with the monochromatic rendering. Inside there were many people, sitting on chairs and at tables, drinking coffee and checking their laptops. Outside on the cold sidewalk and alone, one man waited for something and checked his phone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Terraces, Stairways, Sky

Terraces, Stairways, Sky
People arrayed on terraces and stairways at the Whitney Museum

Terraces, Stairways, Sky. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People arrayed on terraces and stairways at the Whitney Museum

This is another of my December 2015 photographs from the New York Whitney Museum, and perhaps yet one example of my idiosyncratic approach to visiting museums. I love visiting museums, especially art museums, and I can easily spend many hours or even a full day wandering around and slowly taking things in. It is enough to drive other people who go there with me crazy! (On this visit, the rest of our group finally gave up, left without me, headed to a nearby tavern, had lunch and drinks, and waited for me to finally show up hours later.)

I love to look at the art, the people, and quite often the architectural spaces as well. This was my first visit to the new Whitney Museum, so there was a lot to see. I started on the top level and explored galleries, but soon was distracted by the outdoor terraces, which extent from each of the floors in delightful and interesting ways. On the top floor narrow terraces project out into space above the Chelsea district. On lower levels the terrace areas become larger, and afford urban landscape views of the surrounding city and back upwards toward the exterior of the museum. When I looked up at this mass of windows, terraces, stairways and more I knew there was a photograph (or several) here, and I spent some time with the subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Four Figures In Doorway

Four Figures In Doorway
“Four Figures In Doorway” — Four people stand in front of the doorway of a Manhattan store.

I suspect that this photograph is going to perplex more than a few folks who watch my landscape and nature photography. In fact, this is one in a large string of very urban photographs made in New York in late December 2015. For those of you who “get” and like this work, thanks! For those who don’t, the more familiar kinds of photography will return before too much longer, and I’ll try to intersperse more of that photography with the urban/street/night stuff.

I’m endlessly fascinated by the way in which seemingly formless and virtually random patterns of motion in the urban environment can suddenly coalesce into something that has structure and which may even be mysterious and suggestive. Capturing this stuff requires me to be “on” all the time — and this can make me not at all fun to be with in these places when I’m carrying a camera! I made this photograph on a very crowded Christmas Eve in Manhattan, and it is one from a short sequence I photographed of this group standing in front of the entrance to a closed store — and for this instant the group miraculously assembled themselves into a fascinating tableaux of individual poses, especially the woman on the left.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Goose-Filled Sky, Dusk

Goose-Filled Sky, Dusk
Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

Goose-Filled Sky, Dusk. San Joaquin Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Thousands of Ross’s geese fill the dusk sky above California’s San Joaquin Valley

The light and the photographic subjects pass through a series of stages at the end of the day in these wetlands areas. The nondescript late afternoon light takes on a warmer tone as the sun drops toward the horizon and shadows lengthen, and often clouds in the distant west may momentarily mute the light. There is still plenty of light for traditional bird photography, as the direct sunlight has not yet disappeared. Before long comes the last bit of direct sun, golden in color on the bodies of white geese, and then it is twilight.

At this transitional moment all sort of light magic can happen. As flocks of birds wheel around in the night sky they take on different colors — the gold of reflected sunset, the blue of the eastern sky that is transitioning towards night, and sometimes they simply are black against the sky. And the sky shifts colors, too. Sometimes the effect is wild and gaudy, but more often it is subtle, with tones of pink and blue and purple and more. By the time I made this photograph the light was becoming quite dim, and it was dark enough that I could no longer maintain a shutter speed that would stop the motion of the birds. So I no longer tried! I use a longer shutter speed and pan, watching for the flocks to compose themselves in interesting ways, always in constant motion, and against the colors of the evening sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.