G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
I have just updated the Deals Pageto include direct links to products featured the Black Friday through Cyber Monday sale at site-sponsor B&H. These prices are valid between now and this coming Monday. Included are:
Four-Thirds cameras
Nikon, Canon, Sony, Olympus DSLRs/lenses
Various small format cameras (e.g. – Canon G12 at $299, etc.)
Bags
Tripods
Lighting
Printers
Memory
More…
See the Deals Pagefor more information and direct links. (Also, here is a direct link to B&H Black Friday deals.)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light on a backcountry arch, Grand Staircase-Escalante National Monument
In a land of many arches… this is another one. :-) I’ve come to understand that natural arches and natural bridges, which still seem miraculous to me when I see them and think about how they form, turn out to be almost absurdly common features in the American Southwest. My first exposure was, not surprisingly, at Arches National Monument, where there are more of them than you might believe if you did not see them with your own eyes. They seem to come in all forms and sizes: impossibly slender and long, small and delicate, big and blocky, towering above the surrounding terrain, invisible unless you happen to look the right direction in the right light, short and stubby, and seemingly infinite additional variations.
Since my first acquaintance with the more famous specimens at Arches National Park, I have had the opportunity to see a few others in less accessible locations. This one required a long and convoluted hike through terrain that held its own attractions apart from the arch – in fact, I had almost forgotten about the arch when we reached it. The photograph is from a high point near the arch – on the opposite side from our approach – and from the shady side of the feature at this time of day. From many vantage points it stands a bit too much against the sky, which did not seem to me to be the most attractive background. From this spot it was possible to find a camera position where the sky was out of the frame, and this allows the shape and texture of the arch to be seen in the light reflected from nearby walls.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Dawn light on Balanced Rock and cliff face, Arches National Park
When I first visited Utah for photography, only in April of this year, I think that Arches National Park probably provoked the most serious “wow” response from me. I loved each of the parks we visited in different way, but the first-impression of Arches was, for me, stunning. It probably helped that I had more or less intentionally done no research on the place before our arrival. It also helped that my first view of the park was on a spontaneous golden-hour drive into the park from Moab late in the day, when we found ourselves with more time after arriving than we had planned on. I was stunned to see what seem to be essentially impossible formations throughout the park – the arches themselves, of course, but also the tall thin towers, long and narrow fins of sandstone, large rocks balancing on pedestals, and more.
On the second visit, this fall, I was still impressed by these amazing formation, but I also began to look past them a bit more and start to see a few of the subtle things that are there as well, and to begin to understand a few of the patterns of the place – where and when certain types of special light or atmosphere might occur. On this morning I had returned to re-shoot something that had not worked out quite the way I planned on the previous visit. Having completed that task, we moved on up the road, looking for other opportunities, of which there were many. Here, as we passed one of the large towers in the Courthouse area, I saw a photograph that juxtaposed several things: the silhouetted shape of the balanced rock on the far ridge, the brilliant morning sidelight on the nearby sandstone tower, and the early morning sun slanting across the petrified dunes area, picking up the higher points on the terrain.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard
Having shot at Mare Island so many times, and having never encountered any weather challenges more daunting than a little wind or some night-time cold, I suppose I was due for some rain. And we got it on this visit. This being the annual “Nocturnes Alumni Night” event, people arrived much earlier than necessary for night photography – during the daylight hours mostly. As we met and shared photographs and then pizza, the conversation occasionally turned to the question of, “When will the weather front arrive tonight?” The most optimistic among us thought that it might not rain at all. Others thought it would hold off until after we were done shooting. Still others – including those of us with smart phones running weather radar applications – were not so sure that we would escape the weather this time, since it looked like the front would pass over us very shortly after we planned to start shooting.
The pessimists were right this time! Less than a half hour after we dispersed into the darkness to begin our work, it was already sprinkling, and within a few more minutes the front arrived and it began to rain in earnest. Along with another group of Nocturnes, I quickly moved to the shelter of one of the old mansions and hung out on the porch. The front wasn’t large, and after an hour or so the rain had diminished to the point that I could venture back out again. (To those who wonder about such things, the combination of night and rain is not conducive to being out and about making photographs.) I headed back over into the “historic core” area near the waterfront as the sprinkles continued, eventually ending up at this spot, near the end of building 45. Access wasn’t as easy as usual due to construction in the area and due to that darned rain! However, the rain created special conditions for night photography, adding a reflective gleam to all of the wet surfaces. The lighting here is from nearby street lights and security lights, and the sodium vapor lamps create a very garish yellow effect in color photographs – so I decided that I would take this one in the black and white direction. The patter on the wall at the right is a shadow from the huge gantry structure that towers above this spot.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
