G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
I’m excited to announce that ELEMENTS Magazine has published my article on “Death Valley National Park: Photographing the Desert Landscape” in their August 2022 issue. It is an honor to have my photography and writing appear in the company of work by photographers I admire.
A steep stairway ascends through a residential area of San Francisco.
The terrain underlying the city of San Francisco is in many places quite complex. Before settlement it was a place of hills cut by streams, flatlands, and shallows that were later filled in to expand the available land area. I made this photograph in an area along a ridge where the “sidewalks” are sometimes more vertical than horizontal and mostly consist of stairways.
There’s something a bit mysterious about this bending stairway as it winds upwards and twists out of sight. The mixture of angles and textures here is also fascinating — wood and concrete, horizontal and vertical, rigidly aligned to the horizon and angled in odd directions.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Lodgepole pines growing at the edge of the meadow at Tioga Pass
While I often prefer to minimize the content of photographs when possible — some of my favorites qualify as minimalist images — I also have a weakness for trying to make photographs out of extremely dense subjects. (If you know a bit about “minimalism,” you may recognize that filling space with details can also be a characteristic.) Sometimes the pure density and complexity of the scene is enough, though at other times the challenge is in finding a viable composition among so much detail.
This little “baby forest” vignette is from high in the subalpine zone in the Yosemite Sierra, in the young forest near the edge of a meadow, a place where new trees can gain a foothold out of the literal shadows of the more established trees. Particularly in the early season — late spring and the start of summer — spots like this can be lush and full of new greenery and wildflowers.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
No Parking sign and colorfu paint on a San Francisco residence.
There are lots of places offering similar visual opportunities in San Francisco, and they aren’t hard to find, especially if you get out and walk the City. And this is a very walkable city! I often walk almost all the way across between the CalTrain station and points north, following various favorite routes. This spot, if I recall correctly, is on a side street in roughly an area between North Beach and the tourist center known as Fisherman’s Wharf.
There are plenty of ways to photograph the sometimes-eclectic (and other times quite classic) architecture of this city. In terms of scale, I can go anywhere between including entire buildings (or even groups of them) and photographs that focus on very small elements — a door, a stairway, a bit of a window. In this one the colors, of course, were the main attraction. But I also was taken by the almost Cubist composition that resulted from cropping tightly.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.