All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Back Country Taxi Service

Back Country Taxi Service
“Back Country Taxi Service” — Pack mules waiting to carry photographers into the Sierra Nevada back country.

Mules like these are the delivery trucks and taxis of the backcountry, something that I didn’t always appreciate. There was a time years back when I was simply annoyed by them, and felt that having to move to one side to let a string of animals pass was an affront. Then I found myself using pack animal support on a couple for long photography trips into the Sierra, and I was forced to modify my thinking. There are places that the beasts shouldn’t go, but they also have a very long history of supplying and supporting back-country travelers. I started backpacking long enough ago that I even recall occasionally seeing a lone backpacker leading a mule.

This trip was the first and only time that I’ve actually ridden a mule into the backcountry. It was, as those who have tried it probably know, and “interesting” experience. I don’t have the space here to relate the whole story. I made this photograph on our first morning, when we went to the pack station to load up our gear before hitting the trail.

(Update 9/3/26): Here is a little more context for this photograph and the original text. Starting in about 2008 I started joining a group of photographers (informally known as the “First Light Group”) on annual trips of a week or longer into the Sierra backcountry. Sponsored by the Yosemite Conservancy at first, the concept was to get groups of photographers (and sometimes other creatives) into remote, less-photographed areas of the Sierra backcountry and to ensure that we had everything we needed to do our work, including significant tonnage of camera equipment. Consequently, the group used pack trains to bring in a lot of the gear, though we typically walked ourselves in. But on this trip in the Southern Sierra, reaching out destination would take two days and include traverses of two nearly 12,000′ passes… so we rode the mules.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Foothills, Winter Grass

Foothills, Winter Grass
Winter grasses and wildflowers come to life among trees and boulders in the Sierra Nevada foothills

Foothills, Winter Grass. Sierra Nevada Foothills, California. February 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Winter grasses and wildflowers come to life among trees and boulders in the Sierra Nevada foothills

Returning from a few days in Yosemite Valley early this year — we were there for the opening of the annual Yosemite Renaissance exhibit — we looped somewhat lazily through Sierra foothill terrain on our way home. Since the plan was to arrive at a Central Valley bird refuge before sunset, we had most of the day to poke around and make photographs.

Late winter in California is the greenest time of year. When people visit the state during summer and remark on the golden brown hills, I always want to say, “You should have been here a few months ago!” This is the impossibly green season, when enough rain has fallen to get the grasses to take root and cover these hills, followed quickly by the appearance of wildflowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Reflected Granite Bench

Reflected Granite Bench
Soft light on a granite bench and its reflection in a wilderness lake, Kings Canyon National Park

Reflected Granite Bench. Kings Canyon National Park. September 15, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Soft light on a granite bench and its reflection in a wilderness lake, Kings Canyon National Park

It is hard to believe that three years have passed since this beautiful trip into the Kings Canyon National Park back-country. Four of us schlepped — or more correctly, were schlepped — into a beautiful spot off the main trails where we had the better part of a week to slowly take in beautiful alpine scenery and make photographs.

This was a base-camp photography trip, where we camped in one location and each day wandered out through the spectacular surroundings looking for photographs. Over the time we were there we conditions ranging from typical Sierra sun to rain and rainbows. I made this photograph not far from our camp, and at a time of day before the sun had risen high enough to shine direct light on us — so the water was still, the light was soft.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Forest and River, Evening

Forest and River, Evening
Evening light comes to the Tuolumne River and surrounding forest

Forest and River, Evening. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to the Tuolumne River and surrounding forest

A scene like this can be deceiving, at least when it comes to assumptions about how it might be photographed. It is a peaceful and tranquil scene, and that impression supports the idea that photographing such a subject might be a slow, contemplative, and measured process: explore slowly, consider compositions, set up the camera and fine tune, wait, then photograph.

Nothing could be further from the truth. At this time of day — unless one is photographing a subject that has been specifically planned and scheduled in advance — things happen with extraordinary speed, especially when it comes to the transitions of light.  For example, the last light coming through the forest to strike the central tree lasted only moments. Knowing this, as soon as I saw it I photographed more or less instinctively, working quickly and hoping that I would have time before the light was gone— which it was only a moment later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.