All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Fog, Mist, Ocean, and Sky

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Fog, Mist, Ocean, and Sky
Looking westward toward the Pacific Ocean horizon and dissipating fog

Fog, Mist, Ocean, and Sky. Big Sur Coast, California. June 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Looking westward toward the Pacific Ocean horizon and dissipating fog

I have something of an obsession with views to the west from the California coast, especially those in which details gradually fade toward and a distant and indistinct horizon. As a person whose family moved to this state when I was very young, and the son of a father who gradually worked his way west from New York through the midwest and the west to finally arrive on this coast, there is still, no doubt, at least a remnant of whatever it was that moved Americans across a continent — to arrive at its edge and look east to the unknown.

Minimalist Pacific Ocean views like this one have long intrigued me, especially when the light is extremely bright, to the point that the atmosphere glows so brightly that it almost hurts to look into it. This was an interesting day, one on which I escaped the hot inland weather to drive down the coast, where the fog was never far away. Here, at a spot high above the water, only thin remnants of the fog were present, along with a soft haze just above the water leading to a fog bank far off shore.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

Pedestrians, Night

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Pedestrians, Night
Nighttime pedestrians at a Chinatown street corner

Pedestrians, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Nighttime pedestrians at a Chinatown street corner

I’m back with another colorful night street photograph this time. This one is from last summer, when a group of us met up to wander around parts of downtown San Francisco on a lovely evening. We eventually ended up in the Chinatown area, some photographing the environment there and others — like me! — photographing the people who were visiting.

This is more or less just a photograph of people walking by at a street corner. However, there are bits and pieces that I think are interesting. In the larger scale, the scene is a wild and complex arrangement of colors and patters, made more intense but he effect of the electrical lighting at night. There are several lines and planes of interest in the photograph, at least the way I look at it. And line extends from the back of the foreground figures, though the family on the corner (with the young girls in their interesting jackets), and on through the man walking away behind them. I’ll leave it to you to find others…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Western Horizon, Fog Clouds

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Western Horizon, Fog Clouds
Clearing fog clouds above the Pacific Ocean western horizon

Western Horizon, Fog Clouds. Big Sur Coast, California. June 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Clearing fog clouds above the Pacific Ocean western horizon

While I often am inclined to photograph the coast in the very early and very late hours, when the light is often at its most beautiful, I frequently see a special kind of light over the ocean in the middle of the day when I look to the west. Dissipating fog and the general moisture of the ocean, sometimes augmented by higher clouds, can give the backlight atmosphere a luminous and glowing quality — one that I often think of a light so intense that I can barely look into it. The ocean may lead off toward a horizon that simply disappears in this mist and luminosity.

This was a challenging day photographically, though the circumstances of making this photograph were quite mundane. I begin photographing at a slough many miles to the north, in the early morning when things were still foggy and gray. Eventually I moved down the coast, finding alternating fog and sunshine, but always high winds. It was a wonderful day to be out and about along this coast… but not an easy day for photography, and I had made very few photographs when I finally hit my turn-around point and stopped for coffee and a snack before stating to drive back to the north. After I parked and got my snack I came back to my car and noticed the small dissipating clouds of fog just offshore. The road was narrow, with no room for me to safely set up a tripod, so I shot handheld, thinking more about capturing scene data for a concept I wanted to work on in post than about capturing an “accurate” straight out of camera image.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Equipment, Fujifilm, Reader Questions, Reviews

Why Fujifilm Mirrorless?

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(When I started this post I thought it would be short — but it grew and grew and grew! In addition, right now and for a couple of days after the publication date, there is a Fujifilm instant rebate promotion that takes hundreds of dollars off the prices of lenses and cameras and bundles. See a list of links at the end of the article.)

Fujifilm X-Pro2
Fujifilm X-Pro2

My friend “Pat” sent me an email recently with the following question:

I hope you have been well. I was hoping you could offer your thoughts on ‘why Fujifilm’ for your walk-around/street photography system. I have been reading (perhaps a little too obsessively) many rave reviews on their cameras and consistently love the look of images that are shared. (Kevin Mullins, Zack Arias and many others) have professed their love for the Fujifilm system.) While my G.A.S. has been in remission lately, I know I am susceptible to a relapse-I’m not sure if I’m looking for you to talk me off the ledge or give me a solid shove. Why do you choose Fujifilm instead of using a couple of the smaller (non-L) primes with your 5D series? I shoot the 6D as my primary body and have been saving for a 24-70 f2.8 (to replace my 24-105) but the current sale on the Fujifilm at Adorama has me thinking. 

As I thought about my reply it occurred to me that others might be interested in the answer, too. With that in mind, I’m sharing my reply. The main context of your question seems to be focused on street and “walk around” photography, and Fujifilm is now my primary system for what I refer to as “street photography and travel photography.”

And, yes, G.A.S. (Gear Acquisition Syndrome) can afflict all of us. Let’s see if I turn out to offer an antidote… or become your enabler!

Settle back. This won’t be brief.

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