Category Archives: Photographs: Abstract

Photographs: Abstract, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Fire Water

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Fire Water
Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire water? Water and Fire? Smoke and Water? Hard to say. A group of use were in the Yosemite backcountry for a week, and after spending the first few days photographing around a quiet lake we moved to another location. Our partially cross-country route took us along an outlet stream that gradually steepened and eventually left us to work our way down an exposed expanse of open granite to the river below. Before out descent we saw a thin column of smoke far to our south, but soon after we arrived at the river the sky filled with smoke, the sun was almost blotted out, and ash began to fall.

Clearly we were downwind of a serious wildfire, but because we were deep in a canyon we had little idea of where it might be. It was a deeply unsettling experience to hike along the river in this mud-colored light with ash falling like light snow. Eventually we neared our destination and, as photographers inevitably do, we turned our attention to considering how to make photographs in and of these conditions. This photograph is a bit of the surface of a river, with reflections including weak sky, the brown of the smoke cloud, and dark areas reflecting surrounding canyon walls and vegetation.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract, Photographs: Ocean & Coast

The Sea

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The Sea
The soft color and light of fog, sky, and ocean along the Pacific Coast.

The Sea. © Copyright 2021 G Dan Mitchell – all rights reserved.

The soft color and light of fog, sky, and ocean along the Pacific Coast.

Well, this is slightly embarrassing. Actually, it would not be — if I just kept the story to myself. (And, indeed, I am keeping part of the story a secret. Feel free to wonder.) Just a few days ago I read about and saw some photographic work that was seemingly defined by its intentional out-of-focus quality. And not in what I regarded as a good way. My response to the work was that it looked like photographs that would have been quite mundane — bordering on snapshots — if they had been in focus. But because they were not, they ended up in a gallery. And now I present… a very out of focus photograph.

So, what to make of this? That’s actually up to you, but to the extent that a photograph is about things or expresses something, well one way to think of it is that by removing some of the familiar details of the subject you are free to think about larger aspects of it that might be less apparent if you were distracted by the “small stuff.” I’m also working with some ideas about color and luminosity here. That’s all I’ll say for now…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract, Photographs: Nature

Succulent Leaves

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Succulent Leaves
Patterns formed by the bright edges of succulent leaves.

Succulent Leaves. © Copyright 2013 G Dan Mitchell – all rights reserved.

Patterns formed by the bright edges of succulent leaves.

This image comes from 2013, and was made in a sort of off-hand manner on a family visit to San Diego. (Off the top of my head, I can’t actually recall exactly where I photographed it, though it may have been at Balboa Park.) Indeed, it is another photograph that emerges from my pandemic review of my archives of old raw files.

Photographs like this one are both fun and challenging, at least in my experience. Like many photographers, I’m intrigued by forms, shapes, curves as abstract things, and they often underly photographs that seem to be about more obvious content. The opportunity to work with subjects where these elements of shape are almost the entirely of the image is hard to resist. It also almost always (again in my personal experience) turns out to be harder than I think it will be. More often than not, when I first see such a subject I am certain that it will work… but as I begin to actually make the image small things interfere with what I’m looking for. In this case, I do like the result, and I enjoy trying to see the pattern of the bright leaf edges as their own abstract form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract, Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sudden Flight

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Sudden Flight
A flock of Ross’s geese takes to the air at the end of the day.

Sudden Flight. © Copyright 2012 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph the way I might during the daytime. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, allowing me to work with motion blur from birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and depart for parts unknown. Groups tend to depart together, and as they do they rise, with little or no warning, en masse and take to the air. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds may suggest the quality of these departing flocks at least as truthfully as stop-motion photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.