Category Archives: Photographs: Abstract

Photographs: Abstract, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Northern California, Photographs: Wildlife

Flight of Geese

January 7, 2013 G Dan Mitchell Leave a comment

A flight of geese.

Occasionally I enjoy pushing an image as far as I can in the direction of abstraction. I’ve also been interested for a while in photographing birds at very slow shutter speeds, and working with the resulting blur. In addition, I have a vague long-term project of making photographs that are very ephemeral and perhaps almost without a central subject of form – I refer to them as my “barely there” photographs.

This photograph is in line with all of those things. After making plenty of sharp photographs of Ross’s geese and other beautiful migratory birds – some of which will be shared here later – I moved on to work the same subject with shutter speeds that were intentionally chosen because they were so slow that sharp images would not be possible. I have other images from this shoot that are also blurry but which retain a more concrete sense of whole birds… and I have some that are so vague and vaporous that you can barely see the animals at all. In this one the birds’ bodies are almost invisible, and we are perhaps mostly seeing the evidence of their black wing tips, against a pale sky that gradually transitions from pink to blue.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Textures

Cloud Forms #3 – September 16, 2012

September 18, 2012 G Dan Mitchell Leave a comment

Evening sky above Olmsted Point in the Yosemite Sierra.

On my return from a mid-September eastern Sierra backpack trip, I again passed through Yosemite National Park on the Tioga Pass Road. By a bit of luck combined with some planning, I managed to time of my passage so that I could be there during the last hour or so of the day, figuring I might try to grab a few last opportunistic photographs before driving back to the Bay Area after dark. With that long, dark drive ahead of me, I decided to aim for a stopping point a bit further west along the route, and I stopped about a half hour before sunset at Olmsted Point.

Although I have a number of photographs of the iconic image of the “backside” of Half Dome from this location, the lighting here can be interesting enough that I’ll stop and try “one more time” if I happen to be there. As is often the case, the lighting did not initially appear too promising. The typical autumn wildfire haze was in the air, lending a bit of a yellow/brown color to the hazy lower atmosphere, and the higher clouds seems thin. But if there is one thing that I (and just about any other landscape photographer!) have learned by now, it is that the last minutes of daylight {and the first moments after the sun sets} can be full of surprises. I began with the practical step of scoping out a composition of the iconic dome, but then I turned my attention to lots of other subjects that surround Olmsted Point: the sparse trees ascending the granite slabs across the roadway, higher ridges across Tenaya Canyon and in the opposite direction, the Sierra crest around Mount Conness, and the sky. For a brief moment after the sunlight had left Olmsted Point, the final rays passed through atmosphere near the western horizon and lit up the patterned layers of clouds and drifting wildfire smoke.

Photographs: Abstract, Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Reflective Building

July 23, 2012 G Dan Mitchell Leave a comment

Reflections in the windows of a downtown tower, San Francisco.

I photographed the exterior of this building while walking in the financial district of San Francisco in the early evening. I was mainly shooting street subjects with a 50mm prime, but fortunately I had a telephoto zoom in my bag that I could use to isolate this section of the building from its surrounding context. In addition, I decided to take some liberties with the image in post, including some serious perspective adjustments that brought the vertical lines into nearly parallel alignment.

When walking around in an urban environment like this one, it is easy to focus on the grit and “reality” and noise and all the rest. But if you look past that you can find some astonishing images in this environment, some of which are quite abstract and perhaps border on hallucinations. This is a building – that is fairly obvious. But what in this photograph is actually the building? Not much. The thin, darker vertical lines are the frames around the window glass, as are the even thinner diagonal lines running upward from left to right. If you look closely you can see a few bits and pieces of what is inside the building, mostly in the form of interior lighting. But the main portion of the image is not really the building at all, instead consisting of warped and distorted forms that are the reflections of its surroundings, reflected in its glass surface.

Photographs: Abstract, Photographs: Architecture, Photographs: Imaginary Landscapes, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

One Front Street, San Francisco

July 18, 2012 G Dan Mitchell 2 Comments

Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco.

This is another in a short series of photographs I did earlier this month in which I focused on shooting very close to the base of some downtown San Francisco buildings, aiming the camera nearly straight up in order to see their shapes more abstractly, and then working fairly freely in post to modify the images in ways that I felt were interesting. This one, and some of the others, are subject to enough post-processing that they probably fit into the category that I describes as “imaginary landscapes.)

I imagine that architects who create such things understand these buildings in ways far different from this in which the rest of us see them. A few things, likely completely obvious to the building designers, occurred to me. One, obvious now that I see it, is that the visual character of the buildings themselves is formed as much by what they reflect of their surroundings as it is by their own shape, texture, and material. Most of what constitutes this photograph, for example, is not the building itself (which is largely defined by the narrow non-reflecting portions) but by what in the surrounding environment is reflected on its surface and how those reflections are shaped and modified by the reflecting surface of the building. In this case, the building reflects itself in the right angles such as the one in the center of this shot, along with the sky, and sometimes the surrounding buildings. (Though the latter is removed when you aim the camera up so sharply.)

G Dan Mitchell Photography

Category Archives: Photographs: Abstract

Flight of Geese

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Cloud Forms #3 – September 16, 2012

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Reflective Building

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One Front Street, San Francisco

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.