Category Archives: Photographs: Agriculture

Looking In

Looking In
“Looking In” — Looking into an old mansion through a screen left ajar.

We were at this location to photograph flowers, but I almost always keep an eye out for other subjects besides the one I came for. This large public garden is centered around a historic mansion, and at times I found the old building to be as interesting as the flowers that were my object. I noticed that the outer screen didn’t quite close all the way, and then I noticed that a warm lamp was barely visible inside the building. Looking in at the warmly lit interior scene, as vague as it is, evokes memories of such places in the winter.

This is one of those photographs that —once again! — proves the point that we often do not expose for some compromise, straight-out-of-camera shot. instead, I like to think about what exposure will give me the image data that I can use to in post to produce an image that is true to what I saw. Here I had to control the brightness of the exterior — which was fortunately muted a bit as the sun passed behind some clouds —while getting enough of an image in the dark and subtle interior that I could work with it in post.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Migratory Birds, Wetlands Morning

Migratory Birds, Wetlands Morning
Migratory birds in Central Valley wetlands, winter sunrise.

Migratory Birds, Wetlands Morning. © Copyright 2022 G Dan Mitchell.

Migratory birds in Central Valley wetlands, winter sunrise.

Although it may not be obvious in the photograph, there are so many “things going on” in this scene that one could perhaps almost write a short book about it. The primary subject is likely obvious — a large flock of sandhill cranes is standing in and and along the edge of a shallow wetland pond in California’s Central Valley on a late-winter morning when the birds are perhaps only days away from their annual migration to the north. But a closer look reveals other things and leads in more directions.

The cranes are not the only birds in the scene. A thin white line in the distance is a flock of probably several thousand geese, mostly snow geese but probably also at least some smaller Ross’s geese. Other geese are in the air, and judging from their darker color they are probably white-fronted geese. It is a bit hazy — typical winter conditions in this location — with a few high clouds above. Along the horizon is the soft, early-morning silhouette of the crest of the Sierra Nevada. And a closer look at the scene reveals that this is agricultural country, perhaps the most common sort in this great valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dormant Trees and Fog

Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Feed Lot

Feedlot
“Feed Lot” — A series of shelters over a feedlot on a foggy Central Valley winter morning.

One of the benefits of photographing in fog is that it can make almost any subject mysterious and moody. Another is that the limited visibilities can mute or eliminate distractions from the visual focus on the elements that are the most interesting. It is hard to imagine a stronger illustration of these principles than a photograph of this particular subject.

I photograph quite a bit in California’s Great Central Valley during the winter months. During much of the year, this is perhaps not an obvious photographic destination (though looking closer may be worthwhile!). But in winter, when dense tule fogs often settle on the landscape, the place can be transformed in magical ways. If you have passed by one of these feedlots on a warm, sunny day… you probably rolled up your windows and held your breath. But morning tule fog on a winter day might can make it worthwhile to stop (while trying hard to ignore the smell!) and make a few photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.