Category Archives: Photographs: Central California

Pond, Trees, Sky

Pond, Trees, Sky
Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

Pond, Trees, Sky. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

When I have written about some of the previous photographs of these San Joaquin Valley areas, where I go to photograph birds in the late fall and winter, I have described the cycle of my earlier mornings in such places: awake hours before sunrise, a two-hour drive in the dark, frequent arrival in thick tule fog, the first sound of birds after I stop my car and get out, the sensations related to photographing in the cold and foggy morning, the first light, sunrise. This photograph comes from a bit later in the morning, closer to the time when the rapidly changing early morning conditions stabilize and things begin to seem more static.

On this morning there had been some of the usual tule fog at daybreak. I photographed in those conditions for the first hour or two, but by 8:00 the fog was mostly gone and all that remained of it was the common Central Valley winter haze. Above that was the huge expanse of sky that I’m often aware of here — sky stretching unbroken from the low hills in the west to the distance Sierra Nevada crest far to the east. By this time the birds were generally much less active and the quick pace of the sunrise hours gave way to the slow, still quality of the midday hours.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Marshland Trees, Autumn Haze

Marshland Trees, Autumn Haze
Marshland trees with fall foliage on a hazy San Joaquin day.

Marshland Trees, Autumn Haze. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Marshland trees with fall foliage on a hazy San Joaquin day.

This was quite a day — San Francisco Bay Area to the San Joaquin Valley to the Sierra foothills and back, sunrise alone in tule fog among the birds to the crowded (and fun!) reception for the “AVIAN — Birds in a Changing World” exhibit in Oakhurst, and lots of driving!

The day began with my pre-dawn arrival in the San Joaquin Valley wetlands, where tule fog was forming as the first light appeared. Although it was a weekend morning, there was almost no one else out there besides me and a few thousand birds. I saw a giant flight of what I believe were trim-color blackbirds in the distance — I’ve never seen so many at one before — and then an impressive dawn fly-out of sandhill cranes. A bit later in the morning, once the early morning bird action had subsided, I spent a bit of time photographing the landscape. This beautiful tree, with late-season autumn color, is striking in its quiet presence in this mostly flat landscape of ponds and grasslands and, of course, birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Marsh, Geese, Autum Tree

Marsh, Geese, Autum Tree
Geese take to the air beyond an autumn tree in San Joaquin Valley marshlands on a foggy morning

Marsh, Geese, Autum Tree. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Geese take to the air beyond an autumn tree in San Joaquin Valley marshlands on a foggy morning

These Central Valley wetlands are not just where the birds are. The total experience they provide includes the migratory and other birds, but it also includes light, atmosphere, sound, and much more. And virtually none of the elements is static — each undergoes transitions on a daily or seasonable schedule. I thought about all of this once again as I started visiting this autumn, beginning a bit before the “winter” birds arrived and while the lingering effects of summer were still felt back in October. My latest visit was a month and a half later, in early December, a time when winter and fall elements seem to overlap for a while.

I usually arrive before dawn, in near darkness and often in foggy conditions. The first impression of these landscapes, aside from those associated with the fog, are usually aural. I finally finish my two-hour drive, turn off the car, get out, and hear the wild, exuberant sound of thousands of birds — geese and (especially!) cranes and more. At this point the transition from night to day is already underway, and I quickly begin to work the light of this time of fast-changing light and conditions. On this morning it had been clear, but low fog began to form just at dawn. Perhaps an hour later one of my favorite morning conditions began — that period when the low sun just begins to overpower the low fog, shedding soft but strong light on close subjects but still allowing things in the distance to retain a muted and soft appearance. Beyond this autumn tree in that first light, geese that had settled onto this pond overnight began to rise up and fly away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Cranes, Morning, Marsh

Two Cranes, Morning, Marsh
Two sandhill cranes stand in a marsh in early morning sunlight

Two Cranes, Morning, Marsh. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes stand in a marsh in early morning sunlight

This past Saturday was a full-on bird day for me. It started before dawn in the San Joaquin Valley, where I visited some wetlands areas to photograph various birds: cranes, geese, ibises, tri-color blackbirds, a solitary heron and a few egrets. Later that afternoon I wrapped up my bird photography and headed up to Oakhurst in the Sierra foothills to attend the opening reception for AVIAN: Birds in A Changing World at Gallery Five. The juried exhibit includes over 60 pieces by more than 40 artists, including a couple of my bird photographs. Afterwards I drove back to the Bay Area. Yes, it was a long day!

The conditions and the birds can vary a lot at this time of year in the San Joaquin Valley. Often it is foggy, but the skies were nearly clear when I arrived this time, with just a bit of scattered ground for a some haze. Two bird events were striking right after I arrived. First, a huge cloud of very small birds — perhaps tri-color blackbirds — rose before dawn and moved across the horizon. Second, a larger-than-usual number of sandhill cranes lifted off at dawn, and they followed unusual paths that brought them close to me. As the fly-out was getting underway I photographed these two cranes in the pond as the first light began to filter through the haze. They stood quietly for a few minutes, then suddenly took to the air and were gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.