Category Archives: Photographs: Central California

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese, Tule Fog, Autumn Trees

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Geese, Tule Fog, Autumn Trees
Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Geese, Tule Fog, Autumn Trees. San Joaquin Valley, California. December 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Migratory snow geese and Ross’s geese in a pond on a foggy San Joaquin Valley morning

Since it was December 1, it seemed like time to start my annual series of visits to California’s Great Central Valley to photograph migratory birds and the landscape of the place. (Actually, I had made one preliminary and very quick visit about a month earlier, but too early for the birds shown in this photograph.) There is a ritual about these visits which, for me, are typically one-day affairs that start very early and end rather late, with a fair amount of driving involved. Up well before dawn, I drive a couple of hours in darkness and often fog, arriving perhaps a half hour before dawn to the stirring sound of many thousands of birds, already awake at morning twilight. I photograph intensively for at least a few hours before taking, at last on most days, a midday break. By mid-afternoon I’m back at work again, photographing through the peak of the visual crescendo just before sunset and then continuing for perhaps another half hour or so until the light is gone. I pack, get into my vehicle, and retrace my two-hour drive back home. (At least the shorter daylight hours of this season allow me to get up a little bit “later” — if you consider 3:45 or 4:00 AM later — and return home in time for a late dinner.)

On this first day of December it was incredibly foggy when I arrived — so much so that it was really hard to make photographs. I usually enjoy photographing in the fog, but this was so thick that almost no sunrise light managed to color the gloom. But before long the light began to come through the fog and eventually I found a moderately large group of white geese settled in on a pond. Among them I saw Ross’s and snow geese, and beyond them there were trees with fall foliage.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

White-Faced Ibis

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White-Faced Ibis
White-faced ibis wading in shallow water

White-Faced Ibis. San Joaquin Valley, California. December 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

White-faced ibis wading in shallow water

Late each fall I begin heading out into California’s Great Central Valley to photograph migratory birds and the winter (plus a bit of autumn) landscape of this place. That landscape is largely agricultural, but Americans had enough foresight in the past — and one hopes we’ll return to those roots again soon — to put aside many areas in this midst of these areas for the use of birds, largely migratory birds who spend their summers thousand of miles to the north and then magically appear in my neighborhood during the colder months. Here, under the Central Valley’s open sky (often obscured by tule fog at this time of year!) I find cranes, herons, ibises, geese, egrets, hawks, eagles, and more.

Yesterday I made my first real bird photography foray of the new season. As usual, I was up and on the road many hours before dawn, arriving at my destination a half hour before sunrise to find the place socked in by tule fog so thick that bird photography wasn’t really possible at first. I took my time, slowing down to synchronize with the less-hectic flow of time here, and a bit later in the day came upon a group of ibises feeding near the edge of a pond. The coloration of ibises used to confuse me. Guides show everything from nearly black to quite colorful, but the first time I saw these birds they looked dark and, to be honest, somewhat drab. However, as this photograph shows, in the right light their feathers can produce a wild array of color including red, blue, green, yellow and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Trees, Bluffs, Whalers Cove

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Trees, Bluffs, Whalers Cove
The view across Whalers cove toward tree-covered coastal bluffs and hills

Trees, Bluffs, Whalers Cove. Point Lobos State Reserve, California. July 14, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The view across Whalers cove toward tree-covered coastal bluffs and hills

Point Lobos is the small but beautiful (and often quite over-crowded) state “reserve” located just below Carmel, California at the base of the Monterey Peninsula. I’ve gone there for decades, beginning when I was a child, and I continue to visit, explore, and photograph. These days I’m more likely to go during off-season times, or at least on odd days and at odd hours during the peak tourist season. I made this photograph on a weekday morning, before the tourist traffic built up and on a day when foggy conditions may have discouraged some visitors.

The photograph looks across Whalers Cove, a sheltered inlet along the northern edge of the park which opens toward the shallow bay around the outlet of the Carmel River. Beyond the rocky bluffs immediately above the smooth, kelp-filled waters of the bay forested coastal hills rise. The building is a monastery that gives a nearby beach its name.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Whalers Cabin, Point Lobos

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Whalers Cabin, Point Lobos
Hidden behind a grove of trees, the Whalers Cabin sits on a bluff above Whalers Cove at Point Lobos

Whalers Cabin, Point Lobos. Point Lobos State Reserve, California. July 18, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Hidden behind a grove of trees, the Whalers Cabin sits on a bluff above Whalers Cove at Point Lobos

For may years I have visiting Point Lobos, the increasingly popular (and sometimes over-run) California coastal reserve along the Pacific Coast just south of Carmel. Decades ago my family visited when I was a child — I recall picnicking there, but most of all I remember exploring the tide pools and descending a steep old trail to a small beach that is now closed. While I knew limited areas of the reserve very well, there were other sections that I simply never visited: some of the forest trails, a few areas close to Monastery Beach and others.

One of the places that, oddly, I never visited was the little “Whalers Cabin” set back on the bluff above Whalers Cove, a sheltered and often placid bay that is protected from the surf of the open ocean. I visited the cove, and I’ve photographed there in the past, but I always went right past the cabin without stopping. This summer I finally stopped in and looked around a bit. As I understand it, whalers may have used the place, but so did fisherman. Today it is a small museum, and (as far as I know) the only very old historic structure still remaining in the park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.