“Blue Playa” — Intensely blue dry mud on Death Valley’s hidden “Blue Playa.”
I have photographed in Death Valley National Park for almost three decades. I have heard whispered rumors of this remarkable “Blue Playa” for years, but no one would share anything definite about it. All I knew was that somewhere in a remote and seldom-visited area of this vast park there was purportedly a small playa featuring astonishingly colorful soil which, in the right lighting conditions, is so blue that it rivals the color of a clear sky. This has been on my mind for years.
Since those who know weren’t talking, it was clear that I’d have to do some sleuthing. All I knew was that the place is remote, surrounded by difficult mountains, and not terribly large. Out of respect for the feature — and concern about potential damage should the location become widely known — I’m going to omit specific details. But here’s as much of the story as I can share publicly.
“Morning Sky, Edge of Lake Manly” — Morning cloud-filled sky above the shore of Lake Manly.
It looks like I’m finally coming to the end of this season’s Death Valley Photographs. But there were quite a few, many featuring Lake Manly, the temporary lake flooding Badwater Basin. When the lake appears after a wet year it gives us an unusual opportunity in this desert landscape — to photograph reflected sky and mountains where we would usually see a salt flat.
“Crater Wall Detail” — Eroded strata of a Death Valley crater wall.
We re-visited this location in Death Valley at the recommendation of a friend. I have photographed here before but was never particularly inspired by the subject. We arrived late in the day, and almost didn’t get there in time for decent light… because we stopped before we got there when I was distracted by another subject.
We showed up just as the sun was dropping behind high ridges to the west, and clouds were further softening the light. That soft light is often good for a subject like this. For one thing it makes the subject less harsh. For another it reduces the contrast between highlights and shadows and opens up those shadows a bit.
Our late-February visit to Death Valley mostly focused on two subjects — Lake Manly and the wildflower bloom. At first I thought we might forego visiting the dunes at all on this trip, but on our last morning we decided to make an early-morning stop before we headed out of the park.
We arrived quite early — too early, actually. It was still dark when we got there, so we took our time getting our gear together before walking out into a quiet section of the dunes. The ight conditions were not promising, as the sky was rather overcast. While that wasn’t great for photographing the dunes themselves, the soft light was good for photographing small plants and other intimate subjects, like this brown-eyed evening primrose plant.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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