Category Archives: Photographs: Desert

Hiker, Desert Canyon, Natural Bridge

Hiker, Desert Canyon, Natural Bridge
A hiker passes under a natural bridge in a Death Valley National Park canyon

Hiker, Desert Canyon, Natural Bridge. © Copyright 2018 G Dan Mitchell – all rights reserved.

A hiker passes under a natural bridge in a Death Valley National Park canyon

Timing seems to matter a lot when photographing and hiking in Death Valley. A whole range of factors come into play: distances between locations, times of day with best light, concerns about temperature, and so on. Over the years I have come up with the rough outlines of a daily schedule — which I frequently violate! — to adapt to the general patterns. I usually start the day with a pre-dawn and sunrise location, and then move to a second early to mid morning place. In many cases I take a midday break — when camping I use this to lounge around camp, eat, nap, or else to drive to more distant spots — Then there is often an afternoon location, followed by a sunset and early evening spot. The dawn and sunset angle is probably obvious to most readers, but what about the mid-morning and afternoon spots? These are often in canyons, which can be a bit too dark at the edges of the day, but which often get nice light a bit after sunrise and before sunset. Bonus benefit: they produce shade during hot parts of the day.

On this day we were using this plan, so we took a mid-morning hike up this narrow canyon, enjoying the opportunities to escape the direct sun and the beautiful light in the bottom of the canyon, as it bounced down from above and between the canyon walls. Here a hiker (my wife Patty) went ahead of me beneath this big natural bridge and headed on towards the mouth of the canyon not far beyond.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Blowing Sand

Dunes with blowing sand in afternoon light, Death Valley National Park

Dunes, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dunes with blowing sand in afternoon light, Death Valley National Park

For this photograph I returned to my file on as-yet-unfinished images from this year’s end-of-March visit to Death Valley. We were there for the better part of a week, visiting various areas of the park ranging from some quite popular spots (such as the dunes in this scene) to some that were a bit more off the beaten track and which required some effort to get to. The latter included some abandoned backcountry habitations and some dead-end roads into various canyons.

This scene is a fairly accessible one, though we came at it from a slightly different direction. We also arrived here in conditions that were a bit less than ideal, at least for walking into sand dunes, namely a lot of strong wind and blowing sand. I made the photograph when the sun was a bit lower in the sky, and its back-lit the dust-filled atmosphere and the little ribbons of blowing sand along the top ridges of the dunes.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Afternoon Light, Blowing Sand

Dunes, Afternoon Light, Blowing Sand
Late afternoon light and blowing dust above Death Valley sand dunes

Dunes, Afternoon Light, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light and blowing dust above Death Valley sand dunes

Wind and blowing dust on sand dunes can produce an otherworldly and spectacular scene. They are also very difficult to work in — tough on equipment and tough on photographers! (I recently read some advice about entering the dunes during serious sand storms. Basically, the recommendation was, “don’t.” For the stubborn, who would do it anyway, the text continued with a recommendation to wear protective clothing, eye protection, and some kind of mask — perhaps towels soaked in water. Fun, eh?) The conditions on this occasion were not really that bad, probably not even as challenging as they might appear to be in the photograph, but it was an afternoon of blowing wind and sand.

We were in a section of low dunes, a distance away from the popular areas where the challenge seems to be to surmount the highest dune. In these lower areas there is plenty to see and photograph, and I usually prefer them to the less accessible and higher areas. Here there are plenty of plants growing in the same, and the more intimate landscape of hills and valleys provides endless subjects. As I was working that terrain I happened to look west toward the late day sun — barely out of the frame — to see the complex patters leading away on the closer dunes, the dark shape of the more distant tall dune, and the light shining through the wind-blown sand in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Kit Fox Hills, Amargosa Range

Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.